Mariah Carey (born March 27, 1969 or 1970) is an American singer, songwriter, actress, and record producer. Referred to as the "Songbird Supreme" by Guinness World Records, she is noted for her five-octave vocal range, melismatic singing style, and signature use of the whistle register.
She rose to fame in 1990 after signing to Columbia Records and releasing her eponymous debut album, which topped the U.S. Billboard 200 for eleven consecutive weeks. Soon after, Carey became the only artist ever to have their first five singles reach number one on the U.S. Billboard Hot 100 chart, from "Vision of Love" to "Emotions".
‘Like a Virgin,’ ‘All I Want for Christmas Is You,’ ‘Imagine,’ ‘Super Mario Bros.’ Theme Among 25 Additions to National Recording Registry
variety.comChris Willman Senior Music Writer and Chief Music Critic The National Recording Registry of the Library of Congress has issued its annual list of 25 recordings that will be added to the esteemed list, covering a range that runs a gamut from the very first time mariachi music was captured for posterity in the early 1900s to Daddy Yankee’s “Carolina” about a hundred years later.
In-between are some curiosities and monster hits that the Library deems worthy of preservation for all time — although, in the case of Mariah Carey’s “All I Want for Christmas Is You,” the prospect of it the recording falling into disrepair due to neglect will probably not be an issue any century soon.
Among the enduring smashes from the second half of the 20th century that made the list: Madonna’s “Like a Virgin,” Led Zeppelin’s “Stairway to Heaven,” John Lennon’s “Imagine,” Queen Latifah’s “All Hail the Queen,” Crosby Stills Nash & Young’s “Déjà Vu,” Jimmy Buffett’s “Margaritaville,” John Denver’s “Take Me Home, Country Roads,” Bobbie Gentry’s “Ode to Billie Joe,” Irene Cara’s “Flashdance… What a Feeling,” Eurythmics’ “Sweet Dreams (Are Made of This)” and the Police’s “Synchronicity.” Perhaps the biggest oddity among the list — and the National Registry does like to go outside the box with at least one or two of its choices every year — is the “Super Mario Bros.” theme first laid down by composer Koji Kondo in 1986. “Having this music preserved alongside so many other classic songs is such a great honor,” Kondo said. “It’s actually a little bit difficult to believe.” Although there is usually not a topical component in selecting the 25 songs annually, sometimes it’s easy to see, or imagine, some recent pop-culture relevance at work in the
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