Korea Box Office: ‘Mission: Impossible – Dead Reckoning Part One’ is Hollywood’s Second Best Opening This Year

Katie Holmes was the epitome of laidback chic as she was spotted strolling in New York City. The American actress, 44, looked fresh faced and glowing as she flashed her toned abs in a black Alo Yoga sports bra, green jogging bottoms and a pair of Adidas trainers.The former Dawson’s Creek star kept her chocolate coloured locks swept back off her face and shielded her eyes from the summer sunshine with a pair of stylish sunglasses.

Patrick Frater Asia Bureau Chief Margot Robbie, America Ferrara and director Greta Gerwig visited South Korea early on the promotional tour for ‘Barbie’ (without Ryan Gosling). But their charm failed to translate into strong box office performance in the country and the film opened anonymously in fourth place over the weekend. “Barbie” earned just $1.19 million between Friday and Sunday and $1.91 million over its opening five days, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Worth just 8% of the nationwide weekend total, “Barbie’s” scores were barely better than fellow new release title “Insidious: the Red Door.” That earned $1.17 million between Friday and Sunday and $1.90 million over five days.

Patrick Frater Asia Bureau Chief While “Barbie” was romping to box office records in North American and scoring strongly in many international territories, the pink phenomenon could muster only fifth place in China, the world’s second largest movie market, on its opening weekend. “Barbie” managed $8.2 million in its opening three days, according to data from consultancy firm Artisan Gateway. Local box office sources show the film trapped in that position on all three days of the weekend session, as the locally-produced titles jostled for leadership and swapped positions. Somewhat encouragingly, the daily score for “Barbie” had increased by Sunday as it was given more screening sessions by Chinese exhibitors.

panned as a “self-absorbed and overwrought disappointment,” brought in $22.2 million in preview ticket sales on Thursday, followed by another $48.2 million with its Friday premiere on more than 4,200 screens, according to IMDB’s Box Office Mojo.Director Christopher Nolan’s biopic “Oppenheimer,” which delves into the life of the developer of the atom bomb, exploded into the number two spot, raking in $33 million in opening day sales, including $10.5 million from Thursday previews.  The historical drama, starring Cillian Murphy as scientist J.

Patrick Frater Asia Bureau Chief Indonesian genre specialist Timo Tjahjanto has begun production on “The Shadow Strays,” a new action film project. Tjahjanto is one half of a writing-directing pair with Kimo Stamboel that are colloquially known as the Mo Brothers and previously delivered “Headshot.” However, it was as a solo director that Tjahjanto (“May the Devil Take You Too,” “The Night Comes for Us”) was signed to a multi-film deal with Netflix in 2022. He delivered his first picture under that arrangement later that year. “The Big 4” debuted in Netflix’s non-English language top ten.

Patrick Frater Asia Bureau Chief Korean TV series and films are increasing still further their hold on streaming audiences across East Asia. They accounted for half of viewing time in the first half of the year, according to new third-party research. Korean-made premium VOD content captured 50% of SVOD viewership and 42% of freemium viewership between January and June 2023, with a record 58 million VOD users tuning in nine East Asian territories (Indonesia, Japan, Korea, Malaysia, Philippines, Singapore, Taiwan, Thailand and Vietnam), according to Singapore-based research and consultancy firm Media Partners Asia. The analysis is based on the measured media consumption activity of 40,000 Asia Pacific consumers, conducted by AMPD, the analysis firm’s sister company.

**Spoilers below for “Mission: Impossible — Dead Reckoning Part 1.” You’ve been warned…** The threat of death is an underlying aspect of every ‘Mission: Impossible’ film. Honestly, that threat doesn’t just apply to the characters and their gunfights and elaborate car chases.

The adage of Hollywood and or pundits who closely follow Hollywood, writers, armchair analysts, etc., is that you should always have a plan and never just “make it up as you go.” Filmmaking is such a massive endeavor and a massively expensive endeavor, a plan to execute all the ambitious things you want to do is critical, and it’s why some big films feature massive and extensive pre-production periods: precisely to map out and work out how to pull all that stuff on in advance so on the day of shooting, no one is wasting money.

Patrick Frater Asia Bureau Chief Exports of K-pop albums increased by 17% year on year to reach an all-time record of $133 million in the first six months of the year. The U.S. is now the second biggest overseas market for Korean music worth $25 million, having overtaken China, but still trailing Japan ($48 million), according to data from the Korea Customs Service. The next largest were Germany, Taiwan, Hong Kong, the Netherlands, Canada, the U.K. and France.The record was achieved despite the absence of BTS as a group (though BTS members Jimin, and Suga put out solo efforts) and saw Stray Kids, Tomorrow X Together, Seventeen, Ateez and Twice all make an international impact.

The Hollywood Reporter.The 61-year-old reportedly rallied against the takeover of artificial intelligence in a statement now echoed by thousands of actors and entertainers in Hollywood, who are striking with the Writers Guild of America (WGA) for the first time in over six decades.Cruise hopped on the call in a desperate bid to get the AMPTP to re-evaluate its stance on AI in the TV and film streaming era.The actor’s latest “Mission: Impossible” movie has ground to a halt as a result of the strike action, as have dozens of other high-profile projects, including the “Avatar” sequel, “Gladiator 2” and “Deadpool 3.”During the Zoom call, Cruise also addressed the guild’s stance on stunt actors, according to the outlet.The actor asked the AMPTP to allow performers to continue on with their press tours following the strike, due to the “fragile state of movie theaters” following the pandemic.He said promoting films is just as “important” to the actors as it is to the studio, the outlet adds.The union protecting Hollywood’s biggest A-listers on Thursday joined forces with screenwriters on the picket line after voting to shut down production across the entertainment industry, which may result in a drought of shows and movies in the near future.The SAG-AFTRA unanimously voted to stop working after their contract expired and talks broke off with the Alliance of Motion Picture and Television Producers (AMPTP), which represents streaming giants like Disney, Netflix, Amazon and others.The strike marks the first time the 160,000-member-strong SAG-AFTRA has walked off film and TV jobs since 1980.The actor-screenwriter strike is the first joint walkout in more than six decades.Both SAG-AFTRA and the WGA are demanding a rise in pay and

Ahead of the recent breakdown of contract negotiations between SAG-AFTRA and the Alliance of Motion Picture and Television Producers, Tom Cruise spoke with reps for both parties about issues like AI and project promotion, as well as a few concerning stunt professionals, Deadline has confirmed.

Patrick Frater Asia Bureau Chief A+E Networks has promoted Youngsun Soh to senior VP and MD of A+E Korea, and John Flanagan to senior VP and MD of A+E Japan & Southeast Asia. Saugato “Shoggy” Banerjee, who currently serves as MD of A+E Asia, is leaving the company from Sept. 30. The moves, intended to bolster operations in Asia, were announced Monday by Patrick Vien, group MD, A+E International and Steve MacDonald, president, global licensing & international. Based in Seoul, and reporting to Vien, Soh will continue to lead the growth of A+E’s business in Korea. She has led the unit since joining the company in 2017 as GM and oversaw the launch of History and Lifetime linear channels.

Patrick Frater Asia Bureau Chief Netflix is to release its Japanese live action film “Zom 100: Bucket List of the Dead,” on Aug. 3. The horror comedy film is based on the hit manga (comic book series) by Aso Haro and Takata Kotaro that debuted in the Shogakukan magazine Monthly Sunday Gene-X in October 2018. It has also spawned an animated series that plays on Hulu in North American and other territories. The underlying comic is a wackily original melding of the salaryman gag manga – a popular genre in Japan seldom exported abroad – with the sort of zombie holocaust story that has become a Hollywood staple.

Patrick Frater Asia Bureau Chief China’s box office weekend was marked more by the tussle for top spot between “Never Say Never” and “Chang An” than the entry of “Mission: Impossible – Dead Reckoning Part One.” The Tom Cruise-starring U.S. blockbuster was the highest new release title, but landed in third place with an opening score of $25.9 million. The weekend’s top-ranked film was “Never Say Never,” a holdover title that scored $46.1 million. Lightchaser Animation-produced “Chang An San Wan Li” (aka “Chang An 30,000 Miles”) earned a shade less, at $43.9 million, according to data from consultancy Artisan Gateway. After 11 days of official release (plus substantial previews), “Never Say Never,” written and directed by actor Wang Baoqiang (“Lost in Thailand,” “Detective Chinatown”) has already become one of the biggest hits of the year. Its cumulative stands at $212 million. “Chang An” has accumulated $96.1 million in nine days.

according to IMDB’s Box Office Mojo.The action spy flick, which the Post lauded as “summer’s best movie,” was released in select theaters on Monday, with a wider release on Wednesday.“Sound of Freedom,” which is in third last week, moved up to the No. 2 spot, earning close to $7.5 million.

Todd Gilchrist editor Named after a word that sounds similar in Korean to both “spring” and “tiger,” Pom Klementieff has appropriately showcased ebullience and viciousness throughout her career — and especially in the past few months. In May, she reprised her role as Mantis in “Guardians of the Galaxy Vol. 3,” empathetically shepherding her fellow outcasts through an adventure to save Rocket Raccoon (Bradley Cooper) from unapologetic MCU villain the High Evolutionary (Chukwudi Iwuji). She also appears in “Mission: Impossible — Dead Reckoning Part One” as Paris, a ruthless assassin who will stop at nothing to kill Ethan Hunt (Tom Cruise) and anyone else who gets in her way. Ahead of “Dead Reckoning Part One,” Klementieff spoke to Variety about her character in the film, whose backstory she worked closely with Cruise and writer-director Christopher McQuarrie to develop. In addition to talking about how she “manifested” the opportunity to be a part of the franchise, she revealed the panorama of influences — from Jean-Paul Belmondo to animal videos on YouTube — she enlisted to ensure that audiences never forget Paris.

Something that’s brought up in a new Happy Sad Confused podcast with “Mission Impossible: Dead Reckoning—Part One” star Hayley Atwell. The host of the podcast, Josh Horowitz, essentially says ‘Mission Impossible’ movies should not work.

Mission: Impossible – Dead Reckoning Part One stars Simon Pegg and Rebecca Ferguson have revealed the secret Morse Code meaning behind the franchise’s theme.Speaking to NME, the pair shared that they were recently made aware of the secret while appearing the Today FM show Dermot & Dave, hosted by Dermot Whelan and Dave Moore.“This is an amazing fact,” began Pegg. “Dave from Dermot & Dave, an Irish Radio show told us that when Lalo Schifrin wrote the original music, the theme, [he put in] two dashes, two dots [which translates to] ‘MI’,” the actor explained while sounding out the tune.“Stop it, it’s true!” interjected Ferguson, who was equally as excited to share the little-known fact.Lalo Schifrin, an Argentine composer, recorded the M:I theme in 1967.

“Mission: Impossible III” to prevent a college prankster from flying “insulting” airplane banners aimed at Tom Cruise and his controversial religion.Documents passed down from a reportedly former top Scientology executive to the Daily Mail include a letter from the church’s “Watchdog Committee” from its “Office of Special Affairs,” ordering someone named “Linda” and the church’s “Director/Commanding Officer in the Office of Special Affairs, International Division” to “find out everything you can about them and let me know at once.”The documents, published Thursday, claim that Stephen “Josh” Schofield, a then-21-year-old University of Central Florida student, raised about $3,500 on the online forum offtopic.com to “sabotage” the movie’s May 4, 2006, premiere at Grauman’s (now TCL) Chinese Theatre.Schofield had hired two airplanes to fly over the theater with banners reading: “The baby belongs to Xenu” — referring to Cruise and his then-partner Katie Holmes’ newborn daughter Suri — and “Hail Xenu (Heart) OT [Off Topic].”Xenu refers to the “galactic overlord” in Scientology’s mythology. Scientology’s chief spokesperson Karin Pouw told the Daily Mail that she had no knowledge of the incident and could not locate any documents.

Missions: Impossible – Dead Reckoning Part One stars Pom Klementieff and Vanessa Kirby were present when Tom Cruise performed one of the most dangerous stunts in cinema history – and they were understandably stunned.Speaking to NME, the pair explained how they watched Cruise drive a motorbike off the top of a cliff six times while shooting the franchise’s latest instalment. You can watch their full interview above.“It was mind-blowing,” said Klementieff, who stars in the film as French assassin Paris.Kirby, who reprises her role Alana Mitsopolis, added: “Everyone else was so nervous and fearful, and he wasn’t.

Patrick Frater Asia Bureau Chief Major Japanese studio Toho Co. has announced “Godzilla Minus One” as the title of the latest instalment in its “Godzilla” film franchise. The film will premiere in Japanese theaters on Nov. 4. A U.S. release is set a few weeks later, on Dec. 1. The company revealed an understated poster and a short but punchy teaser trailer. It suggests that an already-devastated postwar Japan faces a new threat in the form of Godzilla, an enormous, mutated kaiju. Directed by sci-fi and fantasy specialist Yamazaki Takashi, the picture is the first Japanese-produced “Godzilla” movie since 2016’s “Shin Godzilla.” The previous picture topped the Japanese box office, earning JPY25 billion ($181 million at current exchange rates).