Elsa Keslassy International Correspondent Justine Triet’s “Anatomy of a Fall,” one of the best reviewed films of the Cannes competition, which was bought by Neon, examines the collapse of a marriage and a mother-and-son relationship in a documentary-style courtroom drama.
The chamber piece is driven by Sandra Hüller’s (“Toni Erdmann”) nuanced performance as a successful German novelist on trial for the murder of her husband (Samuel Theis), who died in mysterious circumstances in a remote corner of the snowy French Alps.
Their visually impaired 11-year-old son (Milo Machado Graner) is called on the witness stand, prompting a dissection of Sandra’s conduct as a wife and a mother.
Supporting roles are played by Swann Arlaud and Antoine Reinartz. “Anatomy of a Fall” marks a departure in terms of genre and tone for Triet, though she co-wrote it with Arthur Harari, with whom she co-wrote her previous three movies, “La bataille de Solferino,” “Victoria” and “Sibyl” — all of which were lighter fare.
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