Jury President Julianne Moore Is Back on the Venice Film Festival Carpet!

While the Emmys drew mixed reviews, the film festivals closed to strong applause this week, not only for their movies (we’d forgotten some) but for their star turnout (forgot a few of them, too).

EXCLUSIVE: Charles Melton has landed the coveted lead in May December opposite Natalie Portman and Julianne Moore in the next film by director Todd Haynes.

The closing ceremony for the 2022 Venice Film Festival just took place and the awards winners have been revealed.

Ben Croll Venice’s red carpet became a stage for quiet protest on Friday, as festival director Alberto Barbera and jury president Julianne Moore, among many more, held a somber walk-out to stand in solidarity with imprisoned filmmaker Jafar Panahi. Traffic on the red carpet flowed normally as attendees made their way into Venice’s Palazzo del Cinema for the world premiere of Panahi’s latest film, “No Bears.” And then, at 4:30 pm sharp, the doors to the theater swung open and a sea of people filed out. Moore stood with a delegation that also included fellow juror Audrey Diwan, Horizons jury president Isabel Coixet, and filmmakers Laura Bispuri and Sally Potter.

Venice jury head Julianne Moore joined activists from the International Coalition Filmmakers at Risk (ICFR) in a flash mob on the Venice red carpet Friday evening to call for the release of Jafar Panahi, the Iranian director who was detained in Tehran in July.

Manori Ravindran International Editor Canada’s Sphere Films has signed a multi-picture deal with A24 that will cover nine of the U.S. studio’s films in the Canadian market. Under the deal, Sphere Films will theatrically release pics including Charlotte Wells’ Cannes breakout “Aftersun,” which is currently screening as part of TIFF, and Ari Aster’s “Disappointment Blvd.” starring Joaquin Phoenix. The latter is believed to be A24’s biggest production to date. The A24 deal comes off the back of Sphere Films’ acquisition of MK2 Mile End in April. Charles Tremblay, former boss of MK2 Mile End and now the president of Sphere Films, said: “We felt that by joining a larger media company like Sphere that would help our chances of being a larger distributor than on our own.”

Selome Hailu Claire Danes has joined the cast of HBO Max’s upcoming limited series “Full Circle,” Variety has learned. From Steven Soderbergh and Ed Solomon, the series follows an investigation into a botched kidnapping that uncovers long-held secrets connecting multiple characters and cultures in present day New York City. Danes joins recently announced star Zazie Beetz, though character details for both remain under wraps. Danes had her breakout role in the ABC teen drama “My So-Called Life,” winning a Golden Globe in 1994 and an Emmy in 1995, before going on play Juliet in Baz Luhrmann’s Leonardo DiCaprio-led adaptation of “Romeo and Juliet” in 1996. In 2002, she starred alongside Meryl Streep and Julianne Moore in the drama film “The Hours,” and she won an Emmy and a Golden Globe for playing the title role in the TV movie “Temple Grandin” in 2010. Next, she led the Showtime drama “Homeland” as Carrie Mathison from 2011 to 2020, over the years earning two wins and three nominations at the Emmys plus two wins and one nomination at the Golden Globes. More recently, Danes played Cora Seaborne, the leading role in the 2022 Apple TV+ limited series “The Essex Serpent.” Up next, she’ll star opposite Jesse Eisenberg in the FX drama “Fleishman Is in Trouble” based on the novel of the same name.

Tilda Swinton takes over the red carpet in a dazzling lavender gown at the premiere of The Eternal Daughter during the 2022 Venice International Film Festival on Tuesday (September 6) in Venice, Italy.

Guy Lodge Film Critic Even the most solidly founded of marriages can be strained and shattered by the death of a child. For handsome, wholesome Japanese couple Taeko and Jiro, however, that tragedy shows up all the fault lines that were already in their young relationship, and that’s before living ghosts of the past show up for both partners. Koji Fukada’s “Love Life” unabashedly embraces melodramatic contrivance in its examination of modern middle-class love tested as much by social prejudices as by personal demons; it just does so with such pallid, polite reserve that its sentimentality never becomes transcendently moving. As such, this agreeable but overlong pic finds the Japanese writer-director still struggling to regain the form of his jolting 2016 Cannes prizewinner “Harmonium.”

Eddie Redmayne To Be Honored With Zurich’s Golden Eye

Grief and guilt are the twin quiet rivers running beneath Koji Fukada’s ambiguously titled Venice competition entry Love Life, a delicately tangled story of generational conflict and the silences that, without being overtly aggressive, can drive people apart. Anyone familiar with the work of Japan’s greatest cinema maestro, Yasuhiro Ozu, will recognize the general territory. It is a space within which tectonic social shifts are disguised under layers of traditional social observance, often involving large meals, and where profound emotions may be — and often must be — contained within a glance.

Leo Barraclough International Features Editor Academy Award-winner Eddie Redmayne will be awarded a Golden Eye for his career achievements during the 18th Zurich Film Festival (Sept. 22-Oct. 2). The British actor will receive the award in person on Sept. 25 prior to presenting the European premiere of Tobias Lindholm’s thriller “The Good Nurse,” in which he plays a nurse who poses a deadly threat to his patients. He will also participate in a ZFF Masters session. Redmayne is one of his generation’s leading character actors. The broader public will recognize him as Newt Scamander from the fantasy franchise “Fantastic Beasts,” the arthouse crowd will know him from more challenging dramas like “Trial of the Chicago 7.” Redmayne won the Academy Award for best actor for his portrayal of the paralysed physicist Stephen Hawking in “The Theory of Everything” (2014).

The tragedy at the center of “Love Life,” the new film from Japanese director Kōji Fukada which premieres in Competition at this year’s Venice Film Festival, does not come to disrupt a perfectly happy family. Cracks are visible in the facade of the life shared by Taeko (Fumino Kimura) and Jiro (Kento Nagayama) even before the fatal accident that claims the life of Keita (Tetta Shimada), her young son from a previous marriage.

Elsa Keslassy International Correspondent MK2 Films has scored key territory deals on Japanese director Koji Fukada’s “Love Life,” which makes its world premiere in competition at the Venice Film Festival. Set in contemporary Japan, “Love Life” is a character-driven film revolving around Taeko and her husband, Jiro, who are living a peaceful existence with her young son, Keita. When a tragic accident brings the boy’s long-lost father, Park, back into her life, Taeko throws herself into helping this deaf and homeless man to cope with the pain and guilt. Popular Japanese actress Fumino Kimura (“The Fable: The Killer Who Doesn’t Kill”) headlines the film. MK2 Films has now sold the movie to Teodora (Italy), Imagine (Benelux), Leopardo (Portugal), Demiurg (Ex Yugoslavia), New Cinema (Israel), Swallow Wings (Taiwan), Edko (Hong Kong), Impact Films (India) and Encore Inflight (Airlines).

Christopher Vourlias On the eve of the 79th Venice Film Festival, where his powerful Ukraine war documentary “Freedom on Fire: Ukraine’s Fight for Freedom” will premiere out of competition on Sept. 7, Oscar-nominated filmmaker Evgeny Afineevsky was in a frantic race against time. Footage was still being shot in Ukraine into the second week of August, with Afineevsky only completing the film on Aug. 31 — the same day that Ukrainian President Volodymyr Zelenskyy addressed the A-list celebrities and foreign press at the festival’s opening ceremony, urging the world not to forget the war in Ukraine with the impassioned plea: “Don’t turn your back to us.”

Mark Rylance in cannibal-love story Bones and All, which debuted on Thursday. The 26-year-old posed for photos alongside his co-star Russell, who opted for a green gown with a large bow on the front, which she paired with long, white gloves. Earlier this year the actor attended the 94th Academy Awards wearing no shirt underneath an embroidered lace jacket and high-waisted pants from Louis Vuitton.

There’s no shortage of star power on the Lido this year. The 79th Venice Film Festival boasts such boldface names as Timothée Chalamet — along with his fellow the Bones And All castmates and filmmaker Luca Guadagnino — Cate Blanchett, Alejandro G. Iñárritu, Adam Driver and dozens more.

GETTYJulianne Moore wore a sequinned Valentino cape and matching gown to the premiere of White Noise and the official Venice Film Festival opening ceremony. Image: 2 of 14 Source: GETTYCatherine Deneuve was honoured with a Golden Lion award for lifetime achievement by the Venice Film Festival. She wore a Saint Laurent column dress with a mid front slit.

Patrick Frater Asia Bureau Chief The titles of Fukada Koji’s films almost drip with bitter irony. “Sayonara” seemed to be a farewell to human actors. Instead of being harmonious, Cannes Un Certain Regard jury prize-winner “Harmonium” was pitch black and steeped in quiet violence. Fukada’s latest, Venice Film Festival competition title carries the moniker “Love Life.” But its subject matter is loneliness. The story starts out on familiar lines, involving a married couple where suddenly the ex-husband of the wife appears, potentially setting up the melodrama of a triangular relationship. But in Fukada’s hands things are colder and more painful. The newcomer is burdensome, deaf and homeless. His arrival triggers, not love, but fragmentation, individualism and loneliness.