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Billie Eilish
Billie Eilish Pirate Baird O'Connell (born December 18, 2001) is an American singer and songwriter. Born and raised in Highland Park, Los Angeles, Eilish began singing at a young age. She gained media attention in 2016, when she uploaded the song "Ocean Eyes" on SoundCloud, subsequently released by Darkroom and Interscope Records. "Ocean Eyes" was written and produced by her brother Finneas, with whom she collaborates on music and live shows. Eilish's debut EP, Don't Smile at Me (2017), reached the top 15 in the US, UK, Canada and Australia.
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In the Pink: Super-Producer Mark Ronson on Making the Music for ‘Barbie,’ and How Dua Lipa’s Song Changed to Fit the Film

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variety.com

Jem Aswad Executive Editor, Music Whether it’s a soundtrack, a score or a song placement, there are countless wrong ways to do music for film and so few ways to make it feel right.

There’s very little leeway, which is why it can be so challenging for even the most successful hitmakers to make the transition to film music — especially with a major film event like “Barbie.” To say that the music for the summer blockbuster has been a success is a vast understatement: Not only is the film’s companion album Variety’s Hitmakers Soundtrack of the Year, the music from the film scored a whopping 11 Grammy nominations across seven categories — including song and record of the year — and four of the five entries nominated for Best Song Written for Visual Media.

Billie Eilish’s ballad “What Was I Made For” is up against Dua Lipa’s disco anthem “Dance the Night,” Ryan Gosling’s hilarious “I’m Just Ken” and Nicki Minaj and Ice Spice’s Aqua-sampling “Barbie World.” (“Lift Me Up,” Rihanna’s song from “Black Panther: Wakanda Forever,” is the outlier in the category).

With albums and songs by Amy Winehouse, Adele, Lady Gaga, Paul McCartney, Bruno Mars and many others under his belt, seven-time Grammy-winning producer Mark Ronson is one of the most successful pop songwriter-producers working today, yet his work on the soundtrack to Greta Gerwig’s summer blockbuster “Barbie” film — for which he co-wrote and co-produced five songs, cowrote the score with longtime collaborator Andrew Wyatt, and served as an executive music producer — was a new experience. “I can play a track for an artist and it’s a banger, right?,” he says. “With movies, it’s completely different.

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