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‘In the Land of Brothers’ Review: An Assured Debut From Iranian Filmmakers Raha Amirfazli and Alireza Ghasemi

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variety.com

Murtada Elfadl Distinguishing itself from other immigration narratives by telling a story set in an overlooked part of the world, “In the Land of Brothers” introduces two distinctive new filmmakers in Raha Amirfazli and Alireza Ghasemi.

Making their feature debut — which landed them the directing prize in Sundance’s World Dramatic competition — the pair follow in the footsteps of such recent movies about the journey to a new land as Mati Diop’s “Atlantics“(which traced African migration into Europe) and “I Carry You With Me” (one of many about flight from the Americas into the U.S.).

With deft storytelling and assured filmmaking, they tell the story of an extended family from Afghanistan and their 20-year odyssey to find shelter and home in neighboring Iran after the American invasion of 2011.

The film is divided into three vignettes, all set in Iran, though each at a different time and around a different historical milestone in Afghanistan — from the aforementioned invasion to the Taliban takeover in 2021.

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