Galleries and events across the globe are changing their modus operandi Following yesterday’s announcement from the National Gallery that its April exhibition of paintings by the Renaissance artist Artemisia Gentileschi has been postponed (current travel restrictions have prevented several of the necessary loans, for one), and the news that the Institute of Contemporary Arts (ICA) and White Cube will close, it is clear that Britain’s public galleries and museums are beginning to feel the effect of the coronavirus.
In the commercial sector, meanwhile, delivering news on the events that drive the art market is as difficult as holding on to a bar of soap in a bathtub.
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