How ‘Godfather of Harlem’ Landed Jadakiss, Busta Rhymes and More for Season 3 Needle Drops

Leo Barraclough International Features Editor Assel Aushakimova’s dark comedy about journalism in Kazakhstan “Bikechess” has won the Karlovy Vary Film Festival’s Works in Progress award, which runs as part of the festival’s industry section, Eastern Promises. The section is focused on feature film projects from Central and Eastern Europe, the Balkans, the former Soviet Union, the Middle East and North Africa. The Kazakh film follows Dina, who works as a journalist for the national television station. The stories she is asked to report on are becoming increasingly absurd and full of praise for the government. Her love life is limited to a few secret meetings with her married camera­man. Dina looks after her young sis­ter, a lesbian activist, who regularly finds herself in trouble with the au­thorities.

Naman Ramachandran “Dangal” filmmaker Nitesh Tiwari’s “Bawaal,” starring Varun Dhawan (“Bhediya”) and Jahnvi Kapoor (“Mili”), has unveiled a teaser and confirmed its direct-to-digital global premiere date on Amazon’s Prime Video. Varun Dhawan plays Ajay Dixit, a school teacher in Lucknow, idolized by his students, and admired by everyone in town and Janhvi Kapoor as Nisha, a bright and beautiful girl, whose only hope is to find her one true love. But love is never easy and it has to passage through a war of its own. The film is shot in India and multiple international locations. The film is produced by Sajid Nadiadwala’s banner Nadiadwala Grandson Entertainment in collaboration with Ashwiny Iyer Tiwari and Nitesh Tiwari’s Earthsky Pictures.

Patrick Frater Asia Bureau Chief Authorities in The Philippines are weighing a decision on whether to follow the lead taken by Vietnam and ban Greta Gerwig’s “Barbie” movie. Vietnam on Monday announced that it will bar the film’s commercial release due to the movie’s depiction of a map that depicts the “nine dash line,” a disputed representation of China’s territorial claims in the South China Sea. The Philippines, like Vietnam, Brunei and Malaysia, have competing claims in the South China Sea and strongly refute China’s claim to nearly the entire maritime region. “If the invalidated 9-dash line was indeed depicted in the movie ‘Barbie,’ then it is incumbent upon the Movie and Television Review and Classification Board (MTRCB) to ban the same as it denigrates Philippine sovereignty,” said Philippines Senator Francis Tolentino, vice chairman of the Senate foreign relations committee, according to local media reports.

Naman Ramachandran After a scandal that rocked Ireland in recent days over national broadcaster Raidió Teilifís Éireann (RTE) overpaying presenter Ryan Tubridy, the country’s government has ordered two separate reviews into the scandal. The matter led to the suspension and subsequent resignation of RTE director general Dee Forbes, a former high-level Discovery executive. On Tuesday, Ireland’s Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media, Catherine Martin T.D., announced that she will be commissioning an independent, root and branch examination of RTE composed of two separate and parallel reviews: a review of governance and culture; and a review of contractor fees, human resources and other matters.

Jazz Tangcay Artisans Editor Filmmaker Victoria Bousis has partnered with Unique Network to enhance the immersive film experience of her award-winning film “Stay Alive, My Son.” Inspired by true events and based on the memoirs of Pin Yathay, “Tu Vivra, Mon Fils” (“Stay Alive, My Son”), Bousis says she wanted to “leverage technology to break the rules of traditional storytelling and educating audiences about Cambodia’s history.” The film, which will screen at Siggraph in August and is currently on the festival circuit, uses augmented reality and a virtual world that audiences experience through a VR headset.

Jazz Tangcay Artisans Editor “Fatal Attraction” production designer Nina Ruscio’s visual challenge was taking on an iconic movie, paying homage to it and finding a way to put her creative stamp on it by taking it into 2023. In the eight-part Paramount+ series, Joshua Jackson stars as Dan Gallagher with Lizzie Caplan as Alex Forrest, roles originated by Michael Douglas and Glenn Close in the original film. And while it’s not a remake, the creative team stressed, it’s an expanded adaptation that provides more insight into Alex’s behavior after an affair with a married man drives her to obsession. The series covers Alex’s struggles with her mental health, but it’s also an erotic thriller.

Jazz Tangcay Artisans Editor The year was 2001. Catherine Zeta-Jones had yet to do the table read for Rob Marshall’s “Chicago” or even meet co-star Renée Zellweger. But she recalls being in Toronto, walking down a long hallway and entering costume designer Colleen Atwood’s fitting space: “There was an explosion of costumes and fishnet tights.” And thus an enduring collaboration between thespian and costume designer was born. Both would go on to win Oscars for their work on the film. Zeta-Jones would call on Atwood to design her outfit for the 2002 Academy Awards when the actor was days away from giving birth. It would be two decades before they officially reunited for Netflix’s “Wednesday.”

Jazz Tangcay Artisans Editor It took a village to build the costumes for Shonda Rhimes’ latest “Queen Charlotte: A Bridgerton Story.” Costume designer Lyn Elizabeth Paolo and co-costume designer Laura Frecon paired up to tell young Queen Charlotte’s (India Amarteifio) story and her rise to power in Britain, after her marriage to King George III. But even though Rhimes told Paolo it was going to be a “small spin-off,” the costume designer who had worked with her on “Scandal” and “How to Get Away With Murder” knew that Rhimes would want “everything to be glorious.” There were going to be grand scenes, such as a funeral and a coronation. Frecon says, “We were told there were no balls,” referring to the grandiose costume fetes that marked almost every episode of “Bridgerton.”

Jazz Tangcay Artisans Editor The desert meets the ’70s meets the Western. That’s how “Poker Face” costume designer Trayce Gigi Field describes the vibe of Peacock’s whodunnit series starring Natasha Lyonne. Lyonne plays Charlie Cale, a casino worker with a knack for solving crimes as she goes on the run across the country. Field knew the first thing she had to do was create a look that was a departure from Lyonne’s previous series, “Russian Doll.” First rule: No black. “We wanted a different color palette, so I put together mood boards, and some of those things like the buttery brown YSL jacket made it into the series,” says Field.

Jazz Tangcay Artisans Editor Production designer Patrick O’Keefe drew inspiration from brutalist architecture, graphic artist Syd Mead and British punk band The Sex Pistols when animating the world of “Spider-Man: Across the Spider-Verse.” As Miles Morales crosses path with different Spider-People from other dimensions, it was up to O’Keefe and his team of animators to create visual worlds that reflect those counterparts. With Variety, he breaks down the looks of each world and shares his favorite easter eggs that pay homage to the Canadian animators who worked on the film. “Whenever it comes to developing anything for the film, I’m always asking myself, whose point of view are we seeing this from? And what does it need to do?

While “Star Wars” fans await the premieres of “Ahsoka,” “Star Wars: Skeleton Crew,” and “The Acolyate,” another anticipated series looms on the release horizon: “Andor” Season 2. And excitement for Tony Gilroy‘s show is well deserved.

Jazz Tangcay Artisans Editor Composer Daniel Pemberton pushed a few boundaries and “made something really creative and different” when he scored 2018’s “Spider-Man: Into the Spider-Verse.” When he returned to score the sequel, “Spider-Man: Across the Spider-Verse,” he knew he would have to “push it as far as we can go.” Pemberton says he had to build the score from the ground up, which was complicated. “You’re trying not to make a score that sounds like other film scores. You’re trying to invent your own language.” Inventing that language took experimentation, research and failure. He explains, “I spent two years researching and developing this score, going through ideas, coming up with concepts and throwing them out.”

Jazz Tangcay Artisans Editor Rusicals have been a “RuPaul’s Drag Race” institution since Season 6 and something audiences look forward to each season. Executive producer Tom Campbell credits fellow producers John Polley and Michael Seligman for coming up with this year’s “Wigloose: The Rusical.” Says Campbell, “They said ‘Wigloose,’ like ‘Footloose,’ and it writes itself.” The maxi challenge puts the queens’ performing skills to the test, through song, dance and acting, as they tell a musical story. Previous challenges have included “Moulin Ru: The Rusical,” Madonna, Cher and even Donald Trump’s presidency. The idea is that audiences already know the story of the Rusical and condense that into a production that’s less than 12 minutes long.

Jazz Tangcay Artisans Editor In the penultimate episode of “Ted Lasso” season 3, “Mom City” features Sam Ryder’s song “Fought & Lost,” a collaboration with Queen’s Brian May. Playing toward the end of the episode, the song acts as a bridge as Ted (Jason Sudeikis) as he has a heartfelt confrontation with his mother Dottie (Becky Ann Baker). The next day, he’s in his office to reveal a “truth bomb” to Rebecca, but the end credits roll before audiences get an answer. Ryder performed the piece in front of an audience at the Grammy Museum in Downtown Los Angeles at a special event with the show’s star Hannah Waddingham joining him.

Alicia Keys is taking a moment to enjoy the Colombian capital. She shared some photos of herself and her husband Swizz Beatz taking in some of the most iconic locations in Bogotá.Alicia Keys surprised fans with Karol G and Goyo during her first concert in ColombiaKarol G on the importance of representing Latinas: ‘We have our side of the story’Alicia Keys pays homage to Tina Turner in a moving tributeA post shared by Alicia Keys (@aliciakeys)Keys shared various photos on Instagram, showing herself and her husband having a great time in the city. The photos show the two in matching varsity jackets, with Keys wearing pink and Swizz wearing yellow.

Jazz Tangcay Artisans Editor Ruth Carter doesn’t need the prefix “costume designer” in front of her name; she is a household name. Carter made Oscar history when she became the first Black woman ever to win two Oscars,thanks to her work on the “Black Panther” films. With credits that include “Selma,” “Malcolm X,” “Coming 2 America” and being Spike Lee’s go-to, Carter has stories to tell.

Jazz Tangcay Artisans Editor Nominated for two Tony Awards in best choreography, Jennifer Weber describes “& Juliet” as a show filled with “music that makes you want to dance. It’s got music that everyone has danced to at some point in their lives.” The show uses memorable pop tunes from Britney Spears, Backstreet Boys, Katy Perry and more as it flips the Shakespearean tale of “Romeo and Juliet” by reimagining a world where Juliet doesn’t die. In putting together Act II’s “Problem/Can’t Feel My Face” epic song battle, Weber collaborated closely with costume designer Paloma Young. “We had similar visions in terms of storytelling,” she says. “Her costumes fuse this Elizabethan aesthetic with contemporary pop. A corset and Adidas track pants have never looked better together. Each [look] is super individual.”

Jazz Tangcay Artisans Editor The detail in costume design can define a character — especially for Amazon Prime’s epic “The Lord of the Rings: The Rings of Power” and its retro “Daisy Jones & the Six.” Whether creating costumes for sea guards and Harfoots, “LOTR” costume designer Kate Hawley created over 2,000 outfits for the series. Hawley used blue rather extensively in stones and costumes to reflect the regal presence of Morfydd Clark’s elf, Galadriel, and Cynthia Addai-Robinson’s Míriel, Queen-Regent of Númenor. She created garments for the nomadic Harfoots that would shield them at night. The idea was that, like wild animals, they avoid detection from perceived enemies by just sitting still and blending into their environment.

Jazz Tangcay Artisans Editor When costume designer Marina Toybina was tasked with building the Beast costume for ABC’s live action “Beauty and the Beast” broadcast, she looked beyond what Disney and the Broadway show had previously done. Instead, she found inspiration in puppetry. Josh Groban, who played the enchanted prince-turned-Beast, would not be relying on prosthetics and makeup for his transformation. Toybina instead built a hollowed-out puppet that stood at around 10 feet tall. Within that, she ensured there was enough mobility for Groban, and with the aid of rods, he would be able to move the arms and feet, all built via a backpack structure. Says Toybina of the contraption, “I wanted to lean into the narrative that there’s this prince trapped inside of a beast.”

Jazz Tangcay Artisans Editor “Yellowjackets” composers and songwriters Craig Wedren and Anna Waronker jumped at the chance to write the original music and lyrics contender “Sit Right Down” for Episode 7 of the Showtime series.“We were deep into the blood, fragmentation, descent and sanity-shattering music,” Wedren says, referring to the events that the survivors have to endure this season. The producers asked them to write an “MGM, old school standard number meets Bob Fosse.” The dream sequence happens as Simone Kessell’s Lottie asks the adult Yellowjackets to choose a therapy option treatment at her “wellness retreat.” Misty, played by Christina Ricci, finds herself in a sensory tank after picking “Guidance.” She needs it. In the teen timeline, Misty (played by Samantha Hanratty) makes a new bestie in Crystal, a fellow theater lover. Except, Misty’s openness with her BFF during a round of rapid-fire secrets comes to a sad end when Misty confesses she sabotaged the flight’s black box recorder. Mortified, Crystal asks if Misty will “poison her,” to which she replies “I’ll fucking kill you.” Moments later, Crystal has accidentally fallen off the cliff to her death. Meanwhile, adult Misty is racking up the “deaths” after kidnapping and spiking a reporter’s cigarette.

Jazz Tangcay Artisans Editor Production designers had their hands full the past year, recreating everything from an 18th century palace large enough for indoor badminton games to retro kitchens that looked like they were straight out of the 1970s. To achieve their period-accurate sets, they consulted books, photos and guild archives. For the third season of “The Great,” production designer Francesca Di Mottola a built a “gigantic games room where anything could happen and served many different purposes,” horse breeding among them. The production designer began scouting locations in the U.K., where the black comedy about Catherine the Great is filmed, but none quite fit what she was looking for, so she built the room on a soundstage.