John Hopewell Chief International Correspondent “Sentinel,” by Hollywood legend Phil Tippett, and “Sister Inconnue,” the first solo directorial outing of RKSS’ Anouk Whissell, cold well be two highlights at a 2024 Cannes Frontières Platform that looks set to underscore the robust range of genre as it is embraced by Hollywood, big independents, horror devotees and auteurs alike.
Creator of creatures for “Star Wars” and “Jurassic Park,” Tippett may have terrified more people than anybody alive. If a teaser is anything to go by, “Sentinel,” a project, may well pick up on the style of 2021’s experimental and nightmarish stop motion/animation “Mad Dog.” “Sentinel” features a battleground reminiscent of WWI hellish horror, giant bugs echoing “Starship Troopers,” Tippett’s last big job, attack droids and the statuesque figures of Osiris, Horus and Anubis, the last of which saves the hero, the gas-masked Sentinel, from a gruesome battlefield.
Sure to be a huge draw, an expanded version of an original “Sentinel” teaser will be presented at Frontières Proof of Concept showcase of projects, on Saturday May 18, producer Colin Geddes told Variety.
Another key Proof of Concept title may be “Sister Inconnue,” asking what Anouk Whissell can deliver without her longterm creative partners at acclaimed Canadian writer-director trio RKSS (“Turbo Kid,” “Summer of 84”).
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