Flee director Jonas Poher Rasmussen revealed that it took animation to tell the true story of his childhood friend Amin’s harrowing journey as an Afghan refugee and the painful secrets he’s held for decades to allow him to finally tell his tale both anonymously and with deep emotion.“What really made Amin able to share a story was that he was able to be anonymous, and the animation was really a good way to do this,” Rasmussen said during a panel for the Neon movie at Deadline’s Contenders Film: Documentary, detailing how he used the technique to both cloak his friend’s identity and re-create Afghanistan of the 1980s and Moscow of the 1990s.“Also, it’s really a story about memory and trauma, and animation enabled us to be more expressive
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