Kenneth Branagh Alfonso Cuarón Marlee Matlin Sian Heder Troy Kotsur France Hollywood show awards and Kenneth Branagh Alfonso Cuarón Marlee Matlin Sian Heder Troy Kotsur France Hollywood

Filthy gags, muted politics and Bassey bossing it: what we learned from the Baftas 2022

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ANFor a while, back last autumn, Belfast looked like the film to beat this awards season. Kenneth Branagh’s drama tickled the Academy’s favour in a similar fashion to Alfonso Cuarón’s Roma: black and white, coming-of-age, cineaste autobiographical.

But then it dipped. Other films built up a head of steam and Belfast looked increasingly doomed. Now, it rises once more, its spell out of the limelight re-energising the race and endearing it to anyone slightly jaded by big skies and conflicted cowboys.

Branagh was popular on Sunday night, delivering a warm, button-pushing, fight-the-good-fight rallying cry for cinemas – and he’s even more popular in Hollywood.

A good outside punt. CSEvery awards year seems to have a little movie that could; Coda is the one that has got the nod this time.

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