Todd McCarthy Watching Lovers Rock is akin to going to see Romeo and Juliet and only staying through the first act, to departing a basketball game after the first quarter, to sipping the soup and skipping the rest of the meal.
A mere wisp of a thing, Steve McQueen’s 68-minute feature, the only fictional section of a five-film anthology called Small Axe about London’s West Indian community between the late 1960s and 1980, steeps you in the atmosphere and music of the latter date.
But slight it is, a sensory and nostalgic treat up to a point but one that, on its own, offers just passing insight into a very specific culture.
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