On second thought, we may have let our collective nostalgia for erotic thrillers get a tad out of hand. Chloe Domont’s “Fair Play” seems, at least at the level of its inception, to be a thought exercise: what would it look like to make something like “Disclosure,” but from the perspective, and with sympathy towards, the Demi Moore character?
That Barry Levinson adaptation of a Michael Crichton thriller has aged like a bottle of milk on a radiator, a baffling stew of corporate intrigue, shitty special effects, and spectacularly terrible sexual politics.
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