‘Empty Nets’ Review: An Involving Iranian Drama About Diving Deep to Climb the Class Ladder
variety.comGuy Lodge Film Critic It’s hard to watch “Empty Nets” and not think of “Luzzu,” the recent, poignant Sundance prizewinner from Malta: In both films, enterprising young men left in the lurch by a national financial crisis must resort to black-market fishing to, well, stay afloat. (All we need is a third film paddling in such forbidden waters to declare a new neo-realist trend.) In “Luzzu,” the protagonist was a lifelong fisherman passionate about his trade, while Behrooz Karamizade’s lean, engrossing, Iran-set debut centers on a handy novice merely looking to make a quick buck.
In this economy, however, such differences prove immaterial. It doesn’t matter where you’re coming from, unless you’re coming from money: You’re otherwise all sinking below the surface.
Premiering in the main competition at Karlovy Vary, this is a confidently quiet, elegiac first feature from Iranian-German writer-director Karamizade — who brings a certain European arthouse sheen to a story otherwise steeped in the stark modern tradition of Iranian social realism.
It’s a combination that should secure this eminently accessible film a rather full net of further festival berths; given its limited name-recognition factor, distributors may be slower to bite.
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