By Greg Evans Associate Editor/Broadway Critic The Tony Award-winning hit Hadestown, directed by Rachel Chavkin, is, relatively speaking of course, in sturdy shape for the eventual resumption of performances when Broadway deems it safe and appropriate to re-open theaters.
The Anaïs Mitchell musical that puts a contemporary, folk-rock spin on the Greek myth of Orpheus and Eurydice won eight Tonys last year and became one of the unqualified commercial hits of the season, regularly selling out the Walter Kerr Theatre with weekly grosses in excess of $1 million.
Hadestown should certainly be among the Broadway productions likely to hit the ground running post-crisis, but Chavkin, like everyone else in the industry, is concerned – for newer
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