Naman Ramachandran The U.K. has a robust presence at the Toronto International Film Festival this year, and several of the films screening there find contemporary resonance while exploring historical subjects.
In Thea Sharrock’s 1920s-set “Wicked Little Letters,” Olivia Colman and Jessie Buckley play neighbors who get on each other’s nerves in a small English town where residents start receiving anonymous, expletive-laden letters.
Sharrock sees parallels in the film’s theme with today’s social media trolling replacing poison-pen letters. “The parallels are both so immediate and so obvious, but they’re very subtly made in the writing and therefore in the film,” Sharrock says. “You wonder how far we’ve come in 100 years.
Technology-wise, it’s very obvious how far we’ve come, but as human beings in terms of humanity, actually, how much is exactly the same?
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