Guy Lodge Film Critic “We need a new idea of beauty,” says Michele De Lucchi, the Italian architect who talks us through certain stretches of “Architecton,” a singularly imposing and sonorous new documentary from Russian non-fiction auteur Victor Kossakovsky.
His argument is that the earth can no longer sustain the kind of hefty architectural grandeur, built from the fabric of the Earth itself, that we’ve asthetically prized for centuries, and nor can the cycle of more disposable concrete construction continue without devastating environmental impact.
It’s a sound point, even as Kossakovsky’s film trades in entirely classic ideas of beauty to jaw-dropping effect. Whether gazing in rapt widescreen across wondrous ancient structures, ruined recent cityscapes or the oceanic shift and shake of a stone quarry in action, this is blatantly dazzling, epic-scale filmmaking that nonetheless invites viewers to consider the implications of our awe.
What is it about man-made landmarks that moves us: the very effort of their creation, or the way they reshape the world immediately around them?
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