Dennis Harvey Film CriticSuperhero movies have become so pervasive since the turn of the millennium that they’ve spurred a whole subgenre of films subverting their formulas — primarily low-budget efforts like “Special,” “Super” and “Defendor,” but also major-studio projects “Joker” and “Hancock.” All share an interest in peeling back the mask, exploring the antisocial, delusional-fantasy side of superpowers (and by extension, superfandom).Adam Egypt Mortimer’s third feature “Archenemy” occupies similar terrain, resourcefully using modest means to create a gritty yet stylized comic-book world in which a supposed fallen superhero may really just be some homeless guy with mental issues.
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