Alibaba Pictures to Pay $167 Million for Damai, Chinese Live Events Firm, Signaling Group’s Entertainment Reshuffle

Suzanne Somers‘ husband, Alan Hamel, gave the “Three’s Company” actress a handwritten letter one day before her death at age 76 on Sunday.Hamel, 87, gifted the poem to Somers as part of an early birthday present. The late star passed away ahead of her 77th birthday on Monday.According to her publicist R. Couri Hay, Hamel “gave it to her a day early and she read the poem and went to bed and later died peacefully in her sleep.”The note was written in all caps and was wrapped in pink peonies.“Love I use it every day, sometimes several times a day.

A guest on the BBC’s Antiques Roadshow refused to sell his collection of Vivienne Westwood items despite a staggering valuation. Expert Claire Tole-Moir was on hand to look at a collection of clothing items from Dame Vivienne, which were brought to the show by a huge fan.The fan was also wearing clothes from the fashion designer, with his coat being from the last collection that Vivienne ever worked on.They kicked off the segment with many items from Vivienne’s pirate collection from the 1980s, including pirate shirts, scarves, hats and boots.The guest, from Birmingham, said he would go down to London on the coach and save up his money for weeks just to buy some of the fashion designer's collection.

Death in Paradise star Josephine Jobert has revealed that she was struck down by a virus that left her bedridden.The actress took to social media after concerned fans noticed she hadn't been active online recently.The 38-year-old responded to a fan who asked her: "Hello Josephine, it's been a while since you posted anything. Are you okay?" Addressing their concerns, Josephine revealed she had developed an illness after being bitten by mosquitoes. She explained: "Hello! It's really nice of you to ask.

Patrick Frater Asia Bureau Chief Lightning International, a Hong Kong-based content and channels business, is unveiling Flash, a new turnkey channel management service, designed to help media companies streamline video distribution to their customers. The news was announced on the first day of the APOS conference in Indonesia.

Patrick Frater Asia Bureau Chief Equal numbers of Chinese and Japanese titles adorn the main competition section of the Toyo International Film Festival, which was announced on Wednesday – three each. Among the Chinese films is “Snow Leopard,” the last feature by the late Pema Tseden, and “Dwelling by the West Lake,” directed by Gu Xiaogang, the surprisingly inexperienced joint recipient of this year’s Kurosawa Award. The full competition with 15 titles, set to play between Oct. 23 and Nov.

Patrick Frater Asia Bureau Chief Paramount+ has unveiled three new Korean TV shows which it will launch in selected international territories including North America, the U.K. and parts of continental Europe.

Patrick Frater Asia Bureau Chief Massive, internally-produced originals such as “Lord of the Rings” should sit alongside acquired content and aggregated channels and content to drive usage of the Prime Video platform, says Kelly Day, VP of international at Amazon. That spin on aggregation echoes the ‘flywheel effect’ that Amazon executives regularly refer to, meaning the way that content and e-commerce businesses drive each other.

Patrick Frater Asia Bureau Chief Disney has given a green light to a second season of Japanese drama -horror series “Gannibal.” Set in a fictional Japanese village, season one of Gannibal saw recently relocated police officer Agawa Daigo arrive in his new home a broken man. Wrestling with his guilt over an event that traumatized his daughter, things started off promisingly for the new arrival before a series of alarming events quickly led Agawa to the horrifying realization that something was deeply wrong with the villagers and the mysterious Goto family.

Patrick Frater Asia Bureau Chief Ozu Yasujiro, the leading Japanese film director behind classics including “Tokyo Story” and “Late Spring,” has had his double birth and death anniversaries – Ozu died in 1963 on the day of his 60th birthday, a little more than a year after the release of his last film “An Autumn Afternoon” – celebrated throughout 2023 at places as varied as the Cannes Film Festival, Los Angeles’ Margaret Herrick Library and the Taiwan Film & Audiovisual Institute. But it falls to October’s Tokyo International Film Festival to put on this year’s biggest and most comprehensive reconstruction of Ozu’s surprisingly varied career. Working in conjunction with the National Film Archive of Japan, the festival will present an extensive retrospective that covers almost all the films that Ozu directed (TIFF/NFAJ Classics: Ozu Yasujiro Week) from Oct. 24-29. Ozu spent his entire career, from camera assistant in 1923 to renown director in 1962, as an employee of major Japanese studio Shochiku, with all the advantages and disadvantages such an arrangement brought. While Ozu is best known for his stripped-down dramas, often centered on family relationships, sometimes troubled or contentious, involving parents and young or grown-up children, many hinging on questions of marriage, generational misunderstandings or the loneliness of the elderly, the director’s register may not entirely have been of his own choosing. “The apparent consistency of the post-war films surely owes as much to this production situation as to Ozu’s aesthetic choices,” wrote critic Tony Rayns in a recent Sight & Sound portrait.

Patrick Frater Asia Bureau Chief The Paramount+ streaming service will launch in Japan in December as a free-of-charge addition to cable and internet provider J:COM’s platform and to pay-TV service Wowow. Paramount+ originals including “Tulsa King,” “Mayor of Kingstown” and “Star Trek: Strange New Worlds” will be available at the launch of the service and for the first time in Japan. Japan will be the second country in East Asia where the service becomes available, following a launch in South Korea in June last year.

Patrick Frater Asia Bureau Chief Filming is now underway in Australia on “Desert King,” a neo-western drama series for Netflix that is positioned to be one of the streamer’s iconic prestige productions in the Asia-Pacific region. The story revolves around money and power in Australia’s harsh Outback regions with filming locations in the remote Northern Territory and near Adelaide, South Australia. When the world’s largest cattle station is left without a clear successor, generational clashes threaten to tear the Lawson family apart. Sensing this once great dynasty is in decline, the outback’s most powerful factions – rival cattle barons, desert gangsters, Indigenous elders and billionaire miners – move in for the kill,” says Netflix by way of a synopsis. While describing the six-part series as “one of the largest local screen productions filmed in both the [Northern] Territory and South Australia,” and “an extraordinary cast,” the streamer has not disclosed the identities of any cast. Directed by Greg McLean (“La Brea,” “Wolf Creek”), the show is a joint production between Easy Tiger and Ronde.

Patrick Frater Asia Bureau Chief A+E Networks is continuing its investment in Korean entertainment content with “A Good Day to Be a Dog,” a fantasy romantic comedy that will upload from Oct. 11. Within Korea, the show will play on public broadcaster MBC and Lifetime Korea, releasing at the rate of one episode per week, every Wednesday.

Patrick Frater Asia Bureau Chief Netflix and SK Broadband, one of South Korea’s largest internet service providers, said that they were ending all their lawsuits and would instead create a strategic partnership to provide better entertainment experiences to Korean customers. The legal dispute began in 2020 over whether content providers that generate large amounts of traffic should pay “network usage fees” in addition to the bills paid by the household end users, or whether that would go against the principle of net neutrality and lead to higher costs for consumers. Netflix said that it could offer a technological solution to traffic volume that it had provided to ISPs in other countries and to rival ISPs in Korea. But SK Telecom and its subsidiary SK Broadband held out and appeared to gain support for their position in the Korean parliament. “This strategic partnership with Netflix originates from the philosophy of SK Telecom and SK Broadband, where customer value is prioritized, and comes as part of our efforts to provide customers with an enhanced media service environment,” said SK Telecom’s Choi Hwanseok, VP of corporate strategy. “The partnership with SK Telecom, a leader in Korea’s telecommunication and innovative technology industries, holds special significance as it enables Netflix to enhance entertainment experiences for a broader Korean audience,” said Tony Zameczkowski, Netflix VP of APAC partnerships. “By teaming up with Netflix, SK Telecom and SK Broadband aim to help customers enjoy Netflix shows and films on mobile devices and IPTV (B tv) with easier access and payment options.

Patrick Frater Asia Bureau Chief “Cobweb,” the Kim Jee-woon-directed satire that debuted at Cannes this year, has been cleared for theatrical release in its native Korea later this month. On Monday it saw off an injunction that sought to derail its hometown debut. The film is a tongue in cheek tribute to the Korean movies of the 1970s and plays partly as a film within a film, jumping from color to black and white as it does so. It stars Song Kang-ho (“Parasite,” “Broker”) as director Kim, who needs just two more days of reshoots to craft a new ending to his latest film (also called “Cobweb”) so that it will no longer be the trashy potboiler everyone thought he was making.

Patrick Frater Asia Bureau Chief Byun hee-bong, a veteran South Korean actor who appeared in several films by Oscar-winning director Bong Joon Ho, has died age 81. Byun died on Monday after complications related to a return of the pancreatic cancer that had previously occurred and been treated, according to the semi-official Yonhap News agency. The precise circumstances of his demise were not disclosed. He was born in Jangseon, South Jeolla Province, and started work at an unspecified time in live theater before becoming a voice performer for state TV network MBC in 1966. His TV work in the 1980s and 1990s included series including: 1981’s ”The First Republic”; 1985’s “The Joseon Dynasty 500 Years: Seouljungmae”; and 1999’s “The Legendary Doctor Hur Jun.” His first reliably recorded feature film work was in Bong’s breakout 2000 film “Barking Dogs Never Bite.” Byun appeared in significant roles in three other films by Bong: the cultish “Memories of Murder,” in 2003; 2006 Cannes presentation and box office hit “The Host”; and “Okja,” the creature feature which marked Netflix’s film production debut in Korea and which also appeared Cannes. Byun picked up half a dozen best supporting actor nominations in Korea and regionally in Asia for his role as Hie-bong in “The Host,” converting two of those into wins, at the Asia Pacific Film Festival and Korea’s Blue Dragon Awards.

Patrick Frater Asia Bureau Chief ‘Expendables 4’ narrowly took top place at the mainland China box office on a quiet weekend preceding the National Day holiday season at the end of the month. “A Haunting in Venice” opened outside the top five. Data from consultancy firm Artisan Gateway shows “Expendables 4” earning $10.9 million (RMB78.6 million) over its debut weekend.

Patrick Frater Asia Bureau Chief Korean crime-action webtoon “Knuckle Girl” is being adapted as an original film production for Amazon’s Prime Video. It is structured as a Korea-Japan co-venture. The narrative revolves around a promising woman boxer, Ran, who takes on school bullies and participates in illegal bouts.

Patrick Frater Asia Bureau Chief Tabu-starring spy thriller, “Khufiya” has been set as the opening title of the Indian Film Festival of Los Angeles (Oct. 11-15).

Patrick Frater Asia Bureau Chief Blue Ant Media, the Canadian-owned group with operations spanning TV production, distribution and channels management, is creating a new Asia-Pacific base in Sydney, Australia. It has hired Jon Penn as its Asia-Pacific MD and Jason Soh as VP of distribution, based in Singapore.Penn is a veteran with ten years in Asia with BBC Studios and 11 years of experience at Fremantle. Latterly, he has been a partner at ACT Media Ventures and advised Blue Ant on its expansion in Australia. “The appointments signal the expansion of Blue Ant Media’s channel and program distribution business in Asia Pacific, combining the company’s channel distribution and content sales in the region into one unit.

Patrick Frater Asia Bureau Chief Top actor Asher Keddie will co-produce and star opposite David Wenham in Paramount+ Australia’s freshly-commissioned “Fake” drama-thriller series. Keddie has a long TV career with recent credits including “The Lost Flowers of Alice Hart,” “Nine Perfect Strangers” and “Stateless.” Her movie credits include smaller roles in “X-Men Origins: Wolverine” and eccentric comedy “Rams.” Wenham’s filmography includes “SeaChange,” “Elvis,” “Lord of the Rings: The Two Towers & The Return of the King.” “Fake” follows Keddie’s character, a smart and brilliant writer who thinks she has found her ideal match when she meets a successful rancher, portrayed by Wenham, on a dating app. But after she commits, she discovers that her boyfriend isn’t all he has led her to believe. The show is inspired by the book “Fake” by Stephanie Wood and was created for television by renown screenwriter, Anya Beyersdorf with award-winner director, Emma Freeman (“Secret City,” “Glitch,” “The Newsreader”). The eight- part series is produced by Kindling Pictures’ Imogen Banks (“Safe Home,” “Offspring”) and Emelyne Palmer (“Safe Home,” “RFDS”).

Patrick Frater Asia Bureau Chief Johnny and Associates, the high-profile Japanese talent agency whose deceased founder and long-time president Johnny Kitagawa has been revealed as a serial sexual abuser, will forgo some of its fee income as a step toward victim compensation. The move appears to be an attempt to lessen the company’s toxic brand following the now-confirmed revelations about the late Kitagawa’s predatory behavior.