Tomris Laffly “They don’t make ‘em like this anymore,” we wistfully say these days when praising skillful mainstream movies, ones that remind us of a past when Hollywood used to stir us more regularly through moving original films.
There is truth in that overused nostalgic acclaim, even though few movies actually deserve it as much as Joachim Rønning’s (“Kon-Tiki”) classically glorious “Young Woman and The Sea,” a defiantly big-screen, consistently enthralling biopic that both earns one’s genuine tears, and inspires everyone of all ages to dream a little bigger, go a little further.
For the film’s wondrous rebel Trudy Ederle (a graceful, commanding Daisy Ridley), who became the first woman to swim across the treacherous 21-mile English Channel in 1926, that big dream at first wasn’t even becoming a legitimate athlete, let alone a history-making pioneer.
Born to German immigrant parents of modest means in the Coney Island of 1905, Trudy just wanted to swim, whichever way she would be permitted.
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