Recently split from his co-worker girlfriend, Vincent (Karim Leklou) is having a bad day at the office. First, a young intern batters him over the head with a laptop, and then Yves from accounting stabs him savagely with a pen.
And after a meeting with human resources, the poor guy is left with the curious feeling that, somehow, he deserved it. Even his shrink, who has a print of J.M.W.
Turner’s ironic masterpiece “The Fighting Temeraire” on his wall, thinks so, planting further seeds of doubt in Vincent’s mind. “I think you’re looking for attention from those who attack you,” he decides.
Vincent’s “crime” is to make eye contact, and after a further series of interactions — notably with a middle-aged female motorist, who tries to run him down, and, crucially, his upstairs neighbor’s young children — Vincent drops everything and heads to his family’s country home.
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