John Hopewell Estrella Araiza Carlos Núñez USA Mexico Chile city Rio De Janeiro Uruguay city Tallinn city Santiago, Chile city Sanfic, Chile Boxing film audience pandemic Latin UPS Markets John Hopewell Estrella Araiza Carlos Núñez USA Mexico Chile city Rio De Janeiro Uruguay city Tallinn city Santiago, Chile city Sanfic, Chile

Tribeca, Guadalajara, Tallinn, Rio, Sanfic Execs Map Out How Festivals Are Evolving in a Post-Pandemic Context (EXCLUSIVE)

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variety.com

John Hopewell Chief International Correspondent SANTIAGO, Chile — This is the age of turbulence and film festivals are not immune.

Decimated in many cases by public-sector cuts or COVID-19, they haven’t stopped evolving after the pandemic as they hone new priorities, react to both a sometimes volatile political context and the state of cinemagoing worldwide if a round table at Chile’s Sanfic Industria last week, titled Film Festivals’ Present and Future, was anything to go by.

Panel speakers took in honchos at three top Latin American events – Sanfic artistic director Carlos Nuñez, Rio de Janeiro Film Festival director Ilda Santiago and Estrella Araiza, managing director of Mexico’s Guadalajara Festival.

Panellists also included reps at two fests notable for the presence of Latin American movies: José F. Rodríguez, senior programmer at Tribeca, which regularly awards movies from the region such as Uruguay’s “Don’t Let Me Go” this year, and Javier García Puerto, a programmer at Tallinn’s Black Nights Film Festival.

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