Murtada Elfadl Early on in “The Wasp,” Naomie Harris provides an elaborate description of tarantula hawks, a species of spiders that feeds on other tarantulas.
They paralyze their prey before eating them alive. It’s a gruesome idea that writer-director Guillem Morales clearly intends to circle back around to in his twisty two-hander, which stars Natalie Dormer and Harris as two former friends embroiled in a cat-and-mouse game of violence and intimidation.
Unfortunately, Harris’ monologue marks the highlight of the film. None of the plot swerves — and there are far too many of them — manage to reach that apex of encroaching dread.
Harris is Heather, a wealthy childless Londoner in a tense marriage with Simon (Dominic Allburn). In middle school, she was friends with Carla (Dormer), who’s now a grocery store cashier with four kids, a fifth on the way and a hopeless drunk gambler for a husband.
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