The Coen brothers’ longtime composer, Carter Burwell, said that scoring Joel Coen’s Shakespeare adaptation The Tragedy of Macbeth was much different from their other movies.Usually the siblings’ scripts have room for music. “They write the script with space left for me to work with — Shakespeare didn’t do that,” Burwell said. “It’s very dense with dialogue.
Joel actually made the movie so that it just rushes forward. There wasn’t a lot of space just for music.”Speaking during a panel at the Contenders New York, along with VFX supervisor Alex Lemke, Burwell added that in order to ensure that his score didn’t drown out the classic Shakespearean text, he employed cello and bass in the lowest two octaves.
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