There are shades of Peter Bogdanovich’s 1973 Depression-set comedy Paper Moon in Argentinian director Iván Fund’s melancholy road movie The Message.
Aside from crisp black-and-white cinematography and a backdrop of financial crisis, this is a film about a family of grifters profiteering from the sale of hope.
In Paper Moon this involved the sale of inscribed bibles to grieving widows desperate for a memento of their late husbands. The premise of The Message would appear to be even more callous: this ragtag trio roam the countryside with a little girl who can commune with animals, alive or dead.
But while this, on the surface, would appear to a con on a par with the Nigerian Prince phishing scam, Fund’s film is going for something altogether more spiritual than that.
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