What is it with Lucile Hadzihalilovic and ice? In her last film, Earwig, her central character was a browbeaten little girl without teeth who had to submit to wearing ice dentures, suspended from a cruel metal frame, all day.
Her new film turns up the freezing unit to 11 in a long riff on Hans Christian Andersen’s The Snow Queen, moving between the white peaks of the French Haute Savoie, an ice rink and a film set where a version of The Snow Queen is being filmed in what appears to be real snow.
It certainly sounds real as Jeanne (Clara Pacini), the young girl Hadzihalilovic sends out into this endless cold, crunches it underfoot.
Like Andersen’s story, The Ice Tower centers on a girl on a quest, a framework that in the original can be read — as in many fairytales — as a mythologizing of the heroine’s growth into womanhood.
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