Alison Herman TV Critic The Golden Globes used to involve a predictable kind of chaos. The awards themselves were voted on by the Hollywood Foreign Press Association, a small and notoriously corrupt organization with a clear set of biases. (In short: the more famous, the better.) Perhaps as a result, the televised broadcast has always been looser, drunker, and less self-serious than more prestigious events like the Oscars.
What lacks authority also lacks pretense, and the Globes at their best — see: Tina Fey and Amy Poehler’s three-year hosting reign in the mid-2010s — have made the most of their relative absence of stakes.
But after years of scandals, a pandemic, strikes and pivots, including a forced hiatus from TV and then a break with NBC, the Globes spent the run-up to this Sunday’s ceremony (now on CBS) indicating that the institution had changed.
For one thing, the HFPA itself is no more, replaced by a for-profit venture with an expanded, diversified voting body. Some of these adjustments were welcome, even overdue; Hollywood has enough opportunities for nepotism without the title formerly known as Miss Golden Globe.
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