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Before Brynn Whitfield landed a spot on The Real Housewives of New York City, she nearly appeared on another Bravo reality show: Vanderpump Rules.

Home Town star Ben Napier started prioritizing his wellness journey before undergoing a medical procedure — and fans quickly noticed the results.

The Barbie movie reviews are rolling in!

Kim Kardashian‘s shapewear company Skims is now worth a whopping $4 billion!

These interview were conducted before the SAG-AFTRA strike began. Quinta BrunsonCreator, executive producer, actorRandall EinhornExecutive producer, directorJustin Halpern and Patrick SchumackerExecutive producers The first season of Brunson’s mockumentary sitcom about an underfunded public school in Philadelphia won three Emmys and was nominated for four more, an exceptionally strong showing for a new broadcast offering, and its second season just received eight noms.

EXCLUSIVE: The Working Families Party is the latest organization to show support to striking writers and actors with a message for the studios.

In the vast realm of horror films, Cobweb emerges as a new addition inviting audiences into a world where appearances deceive and secrets hide beneath the surface. Directed by Samuel Bodin and written by Chris Thomas Devlin, and starring Lizzy Caplan, Woody Norman, Antony Starr, and Cleopatra Coleman, the movie’s strengths lie in the established atmosphere of intrigue and suspense. However, it can’t sustain that as it grapples with some missed opportunities and a lackluster conclusion that fails to bring closure to its narrative. 

Starz’s P-Valley won a leading three awards including Best Drama, Best Ensemble and Best Acting (Male) for J. Alphonse Nicholson and Nicco Annan as the African American Film Critics Association revealed winners Wednesday of its fifth annual TV Honors.

Since 2000, Variety has been honoring 10 Comics to Watch at Just for Laughs Montréal. This year’s choices will be feted at a cocktail reception and a panel discussion July 29 before performing at a showcase on July 30.

EXCLUSIVE: Jason Mitchell (Mudbound) has signed on to star in the feature Black Heat, directed by Call Her King filmmaker Wes Miller.

It struck me watching Christopher Nolan’s masterful three hour epic telling of the story of J. Robert Oppenheimer, long labeled the father of the Atomic Bomb, that this is a period piece with an exclamation point for audiences today.

Dennis Harvey Film Critic If “Barbarian” handily won as last year’s premier monster-in-the-basement movie, 2023’s prize might well end up going to “Cobweb” — a less inspired effort, but one decently creepy enough to get the job done. Chris Thomas Devlin’s script feels like a composite of some prior horror conceits, and there is not much depth to the narrative or characters. Still, director Samuel Bodin’s first theatrical feature is atmospheric, and departs from stock slasher conventions just enough to make for an entertaining if unexceptional scarefest. Lionsgate is releasing the U.S.-produced feature (which was apparently shot in Bulgaria in 2020) to limited theaters on July 21.  It begins with the familiar device of a child having night terrors that are probably not entirely in his or her imagination. Eight-year-old Peter (Woody Norman, from “C’mon C’mon”) is a sad loner, bullied at school, who’s woken from sleep by noises seemingly behind his bedroom wall — it sounds like something or somebody is moving around back there. When he taps on the wall, “it” taps back, which sends him screaming to his parents. But they dismiss it as an old house’s bumps in the night. 

“History is littered with those who are benevolent to some and cruel to others,” the prosecutor in the Kevin Spacey trial concluded with today.

Owen Gleiberman Chief Film Critic In the early scenes of “Oppenheimer,” J. Robert Oppenheimer (Cillian Murphy), an American physics student attending graduate school in England and Germany in the 1920s, with bright blue marble eyes and a curly wedge of hair that stands up like Charlie Chaplin’s, keeps having visions of particles and waves. We see the images that are disrupting his mind, the particles pulsating, the waves aglow in vibratory bands of light. Oppenheimer can see the brave new world of quantum mechanics, and the visual razzmatazz is exactly the sort of thing you’d expect from a biopic written and directed by Christopher Nolan: a molecular light show as a reflection of the hero’s inner spirit. But even when “Oppenheimer” settles down into a more realistic, less phantasmagorical groove (which it does fairly quickly), it remains every inch a Nolan film. You feel that in the heady, dense, dizzying way it slices and dices chronology, psychodrama, scientific inquiry, political backstabbing, and history written with lightning — no mere metaphor in this case, since the movie, which tells the story of the man who created the atomic bomb, feels almost like it’s about the invention of lightning.

McKinley Franklin editor “Abbott Elementary” and “P-Valley” are among the top winners of the African American Film Critics Association (AAFCA)’s fifth annual TV Honors, which recognizes exceptional achievements in broadcast television and streaming with an emphasis on entertainment representing the Black diaspora.  “Abbott Elementary” took home titles for best TV comedy and best TV writing (awarded to Quinta Brunson) alongside “P-Valley” for best TV drama. Niecy Nash-Betts and Jessica Williams were also awarded best TV acting (female) and breakout star, respectively. They join a slate of awardees including J. Alphonse Nicholson and Nicco Annan for best ensemble and best TV acting (male) and Mary Lou Belli, Debbie Allen, Tasha Smith, Henry Chan and Jordan E. Cooper from “The Ms. Pat Show” for best TV directing.

There have already been a lot of incredibly positive reactions to Christopher Nolan’s upcoming big-budget drama, “Oppenheimer.” Even though the film is getting rave reviews from some serious critics, perhaps Nolan’s going to listen to Paul Schrader’s opinion a bit more than the casual critic. And according to Schrader, “Oppenheimer” isn’t just good, it’s one of the best films of this century.  READ MORE: Paul Schrader Thinks It’s A “Slippery Slope” Revisiting Finished Films, Doesn’t Like Making Movies With ”Big Toys,” & Hates Whimsy In a Facebook post (the film legend loves sharing his opinions on films and life, in general, on Zuck’s platform), Paul Schrader raved about Christopher Nolan’s new film, “Oppenheimer.” And even though Schrader can be a bit of a curmudgeon from time to time, it sounds as if the filmmaker is absolutely over the moon with what Nolan has made.

3 stars (out of 4)

Over time, you start to notice some films seem destined to live out their days in development hell. These films are seemingly cursed to never see production.

A film adapted from a book entitled “American Prometheus” was not going to be subtle about its inspirations. Christopher Nolan’s “Oppenheimer” offers nothing short of a mythological retelling of American history as modernism’s end.

With the WGA and SAG strikes happening right now, there are a lot of questions about what the fall film festival circuit will look like. Will studios pull films if they can’t have stars show up at the events? Will the events be delayed if they can’t produce a quality lineup of features? Well, even though we don’t know the answers to those questions, it appears it’s business as usual over at the Toronto International Film Festival, as the event has announced the first film to make its debut— “Seven Veils” from director Atom Egoyan.