It’s a measure of the state we’re in today that Thomas Cailley’s follow-up to his 2014 debut Love at First Fight could be described as a metaphor for just about anything you like.
It takes the surreal premise of Yorgos Lanthimos’ 2015 Cannes hit The Lobster and, through a peculiar kind of cinematic alchemy, makes a surprisingly credible family drama out of it.
Its overarching themes of love and tolerance go a long way, and it’s by no means a stretch to see a bunch of current hot-button topics — the world refugee crisis, climate change and trans rights to name but three — refracted through Cailley’s lens.
In The Lobster, people who fail to find a partner at least get to choose what animal they would like to be, but in The Animal Kingdom — selected to open the Un Certain Regard section in Cannes — the process is way more random.
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