Quentin Jerome Tarantino (born March 27, 1963) is an American filmmaker, actor, film programmer, and cinema owner.
His films are characterized by nonlinear storylines, satirical subject matter, aestheticization of violence, extended scenes of dialogue, ensemble casts, references to popular culture and a wide variety of other films, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, alternate history, and features of neo-noir film.
Harvey Weinstein CBE (born March 19, 1952) is an American former film producer. He and his brother Bob Weinstein co-founded the entertainment company Miramax, which produced several successful independent films, including Sex, Lies, and Videotape (1989), The Crying Game (1992), Pulp Fiction (1994), Heavenly Creatures (1994), Flirting with Disaster (1996), and Shakespeare in Love (1998).
Weinstein won an Academy Award for producing Shakespeare in Love, and garnered seven Tony Awards for a variety of plays and musicals, including The Producers, Billy Elliot the Musical, and August: Osage County. After leaving Miramax, Weinstein and his brother Bob founded The Weinstein Company, a mini-major film studio. He was co-chairman, alongside Bob, from 2005 to 2017.
Quentin Tarantino’s second book, Cinema Speculation, is as hard to put down as his “novelization” of Once Upon a Time in Hollywood.
His film education began at age 7, when he quickly warmed to the violent R-rated movies he makes today. Now, the mission for this interview was not to get Tarantino to rehash controversies for soundbites — like answering yet again what he wished he could have done to stop Harvey Weinstein’s predatory path or talking about his next film (he seems to be wistful about continuing Brad Pitt’s Cliff Booth character, but maybe that is my own wish after reading how the character was fleshed out in that novelization, which makes you understand everything about his match with Bruce Lee and so much more).
Tarantino’s also keeping his multi-ep TV series plan quiet, the one he dropped on Elvis Mitchell. He did say he would only ever shoot one if it can be done on film.
This interview is for Tarantino’s hardcore fans, a primer to his book and a glimpse into how he became the filmmaker he did. DEADLINE: Cinema Speculation is a coming-of-age tour of your cinematic education.
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