Vivienne Chow Taiwan’s ambition to impress has not dwindled despite its being the center of geopolitical struggle following Nancy Pelosi’s controversial visit.
The island is still generating large amounts of content on the technological cutting edge. It returns to the Venice Film Festival with a slate of productions ranging from the restored version of the late Edward Yang classic film “A Confucian Confusion,” work-in-progress film projects, as well as new VR, XR, and immersive content.
These straddle the competition section and the Venice market. Having demonstrated potential in previous years, this year’s Taiwan presentation in Venice is intended to move to another level.
It is no longer simply a matter of showcasing creative talents from the island, but about taking the lead in development and interpretation of the medium, says Izero Lee, CEO of the Taiwan Creative Content Agency (TAICCA).
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