The Godfather: Last News

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All news where The Godfather is mentioned

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Eddie Murphy says Marlon Brando once told him that ‘acting is bulls–t,’ couldn’t ‘stand’ Clint Eastwood
the New York Times’ podcast “The Interview,” the “Trading Places” actor detailed the time he was invited to the late actor’s home following his first-ever film role, in 1982’s “48 Hrs.”“This is how long ago it was: He was going, ‘I can’t stand that kid with the gun.’ I was like, ‘What kid with the gun?’ He said, ‘He’s on the poster!’ ” Murphy called.“I was like, ‘Clint Eastwood?’ ‘Yeah, that guy!’ He was calling Clint Eastwood ‘that kid,'” he added.Despite calling Eastwood a “kid,” Brando was just six years older than the “Million Dollar Baby” star.Elsewhere, Murphy recalled the very first time he hung out with Brando, who died at age 80 in 2004.Brando picked up Murphy at a rooftop restaurant at the L’Ermitage luxury hotel in Los Angeles, before inviting him over to his home.“He came and picked me up at the hotel. But there was a time mix-up, and I came down like a half-hour late — he was waiting for me in the car,” Murphy recalled.“We went to his house on Mulholland,” he shared, adding that he “was just going on and on” about Brando’s 1972 film “The Godfather.”Brando, who played Don Vito Corleone in the hit film, brushed off the praise.“He was like, ‘Eh, The Godfather.’ Not just ‘The Godfather’ — acting,” Murphy recalled.
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How ‘The Godfather’ star James Caan taped ‘f–k you’ onto a co-star’s tongue
doomed Santino “Sonny” Corleone, the eldest son of Don Vito Corleone (Marlon Brando) and brother to Fredo (John Cazale), Connie (Talia Shire) and Michael (Al Pacino).Prior to his breakout, Oscar-nominated role in “The Godfather,” The Bronx-born Caan was best-known for roles on a slew of ’60s-era television series — including “The Untouchables,” “The Alfred Hitchcock Hour,” “Get Smart,” “Wagon Train,” “Naked City” and “Route 66” — and for playing cancer-stricken Chicago Bears running back Brian Piccolo opposite Billy Dee Williams (as Gale Sayers) in “Brian’s Song,” ABC’s tearjerking Movie of the Week which aired in November 1971.(He also appeared in several movies, including “The Rain People” in 1969, directed by Coppola — Caan’s classmate at Hofstra — and co-starring Robert Duvall, aka Corleone Family consigliere Tom Hagen.)Caan, who turns 82 on Saturday (March 26), spoke to The Post in a wide-ranging interview about his memories of filming “The Godfather,” which airs somewhere on television virtually every day — in all of its iterations — and will be re-released Tuesday (March 22) in a comprehensive 4K ultra-high-definition Blu-ray package.“One of the things that made ‘The Godfather’ successful, besides brilliant directing and writing and wonderful actors … was that everyone really enjoyed making it, and that comes off on the screen,” Caan said. “And I think the audience can tell that we were having a good time doing what we were doing up there.“Marlon was great,” Caan said of Brando.
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Talia Shire: Why I shouldn’t have been in ‘The Godfather’
she had been in her brother Francis Ford Coppola‘s shoes, she wouldn’t have hired herself for the role of Connie Corleone in “The Godfather.”Alluding to the fact that Paramount Pictures execs were mulling whether to fire director Coppola from the production she revealed, “it was really tough for Francis.”Shire, 75, added, “And I think the last thing he needed was his sister at that time … It added one more tension for him … I wouldn’t have had me on the set.”But the actress also noted that she “had to audition” for the role — and she and her big bro, now 82, eventually “enjoyed a collaborative professional relationship on that movie.”Shire, who played the challenging role of the only daughter of Don Corleone — married to ne’er do well Carlo Rizzi (Gianni Russo) — said that the harrowing scene where a clearly pregnant Connie is throwing dishes while dodging blows from her onscreen husband was difficult to shoot.“It’s a rough thing to see a pregnant woman being knocked around,” she acknowledged before explaining that legendary cinematographer Gordon Willis was “in the center of the action.”“And I had to move from place to place and I was honestly terrified because you didn’t want to do another take. Another take meant everything had to be reset and I just wanted to keep going and sometimes things wouldn’t break.

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