murder-mystery: Last News

UPDATE, with trailer: Pressure is building on the Garvey sisters and suspicions are rising in Sharon Horgan‘s dark murder-mystery series Bad Sisters as we see in the just-released Season 2 trailer.

Aramide Tinubu It’s never been more evident how politics, wealth and power intersect within this country. Together, this trifecta allows certain people to maintain control over others. Based on Stephen L.

Mike Skinner's music as The Streets has always had a certain narrative quality to it, whether it was his boozy tales of wild nights out on 2002's Original Pirate Material or the shaggy dog story of a lost £1000 on the follow-up, A Grand Don't Come For Free. It makes sense, then, that Skinner would eventually branch out into movie-making one day. On Thursday the U.K.

Charlene McKenna, fits snugly into this niche: it offers a compelling, elaborate-puzzle murder mystery that will keep you guessing all the way through to the end of its sixth and final episode.McKenna stars as Shelly Mohan, a married-and-harried mother of three dealing with a teenage stepson, Derek (Rhys Mannion), daughter Caitlin (Katelyn Rose Downey) and younger son Niall (Aidan McCann), a bright kid who’s seriously ill and gets bullied on the school bus.Shelly and her husband, police detective Jason Mohan (Barry Ward), are going through a rough patch both financially (overextended) and in their marriage — he’s loving enough at home, but she suspects he’s having an affair with Fiona (Jeanne Nicole Ni Áinle), his partner on the force.The series opens with Shelly scrubbing blood from her clothes. Flash back to nine hours earlier when, in the midst of her typically hectic day — PTA meeting, schlepping the kids around, preparing dinner — she’s approached in the local market by a bearded man with a bad mullet named Charlie (Adam Fergus).

Celebrity. Watch it above.Celebrity, an upcoming Netflix original K-drama series, will follow Seo A-ri (played by Sweet Home‘s Park Gyu-young) as she enters the world of celebrities and the dark side of fame.

French director Justine Triet returns to Competition with a cerebral smash that might finally bring the Best Actress award that its star, Sandra Hüller, was cruelly denied in 2016 when Maren Ade’s festival hit Toni Erdmann lost out in every category. That film wasn’t everyone’s cup of tea, and the formidably forensic Anatomy of a Fall might not be either, but Hüller’s screen magnetism cannot be denied. Between this and her role as “Queen of Auschwitz” in Jonathan Glazer’s equally brilliant Zone of Interest, Hüller has Cannes in the palm of her hand. Whether she will also get a Palme in her hand is up to the jury.

Some party games can go too far.

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