Box Office: Last News

according to The Numbers.The Post called the movie, which has Ryan Reynolds as its leading man, “a schmaltzy family flick that makes less sense the more you think about it.”It is slated to earn $31.5 million this weekend, which is a staggering $10 million less than was originally predicted, according to Screen Rant.Disney’s “Kingdom of the Planet of the Apes” came in second, with $6.8 million in sales. This is a 70% departure from its earnings on May 10, its opening day, Variety reported.The sci-fi flick, a sequel to 2017’s “War for the Planet of the Apes,” “continues this damn dirty science-fiction franchise’s reign as one of the best out there,” according to The Post.Landing in third was “The Strangers: Chapter 1” with a $5.1 million take.The horror film is centered around a young couple stranded in a remote town and forced to stay in an Airbnb where they are terrorized by three masked strangers.Its director, Renny Harlin, who was at the helm of “Die Hard 2,” “Deep Blue Sea” and “A Nightmare on Elm Street 4,” already completed parts two and three of the trilogy.

LOS ANGELES (AP) — “Kingdom of the Planet of the Apes” reigned over the weekend box office with a $56.5 million North American opening, according to studio estimates Sunday, giving a needed surge to an uncertain season in theaters.The film from 20th Century Studios and Disney that built on the rebooted “Apes” trilogy of the 2010s had the third highest opening of the year, after the $81.5 million debut of “Dune: Part Two” in early March and the $58.3 million domestic opening of “Kung Fu Panda 4” a week later.The strong performance for “Kingdom of the Planet of the Apes” comes a week after a tepid start for Ryan Gosling’s “The Fall Guy” signaled that the summer of 2024 is likely to see a major drop-off after the “Barbenheimer” magic of 2023.“Planet of the Apes” easily made more than the rest of the top 10 combined.“The Fall Guy” fell to No. 2 with a $13.7 million weekend and a two-week total of $49.7 million for Universal Pictures.Zendaya’s “Challengers” was third with $4.7 million and has earned $38 million in three weeks for Amazon MGM studios.The opening for “Kingdom of the Planet of the Apes,” directed by Wes Ball, was the second best in the series, after the $72 million opening weekend of 2014’s “Dawn of the Planet of the Apes.”It’s the 10th movie in the “Planet of the Apes” franchise that began in 1968.“Kingdom” came with strong reviews and positive buzz (80% fresh on Rotten Tomatoes and a “B” CinemaScore).

according to IMDB’s Box Office Mojo.The action comedy took home $3.6 million. The film, which is loosely based on the 1980s TV show, features Ryan Gosling working as a stuntman on the set of a film directed by his ex-girlfriend, played by Emily Blunt.Though on top of the box office, with the pair’s combined star power pulled in just $39.5 million domestically so far, with another $36.7 million in receipts overseas.

The Fall Guy.”But the crowd, such as it was, looked nothing like the ticket buyers of nearly a year ago when the same A-list duo was part of the cinematic phenomenon known as #Barbenheimer.Remember those three surreal days when the masses, lemming-like, donned pink skirts and roller skates (and, for a sprinkle of nerds, brown fedoras) and packed theaters to capacity to see films about an old doll and a dead physicist?Domestically, that pair of polar opposites “Barbie” and “Oppenheimer” grossed a combined $246 million on their opening weekend in July 2023. They went on to do $2.4 billion in business worldwide.

Box Office Mojo.The action flick, starring Gosling as a cocky stunt double for a famous actor, raked in $10.48 million on Friday. The movie, loosely based on the Lee Majors-led 1980s TV series, was expected to garner $28 million for its opening weekend after falling short of earlier estimates, according to the Hollywood Reporter.

have been on a globetrotting press tour to get the word out about Italian director Luca Guadagnino’s original film, which opened in 3,477 locations in the US and Canada.“We’re obviously very, very happy with the number,” said Kevin Wilson, who heads theatrical distribution for Amazon Studios and MGM. “Looking at the audience who showed up, it’s really encouraging.

according to IMDB’s Box Office Mojo.The Post called the romantic sports drama starring Zendaya and Mike Faist, “artful, addictive and deceptive.”The flick, which centers around a tennis champion who stages a comeback with the help of his former tennis prodigy wife, could enjoy a $15 million opening weekend, according to the Hollywood Reporter.The Christian drama “Unsung Hero” was in second place, taking home $3.65 million.The movie, which was also released on Friday, is based on the true story of the Smallbone familyof Grammy-winning musicians and details the hardships they endured emigrating from Australia to the United States in the 1990s.“Civil War,” which The Post bashed as “a torturous, overrated movie without a point,” landed in third, with an over $1.9 million take.In just over two weeks after its premiere, it became the independent production company A24’s second-highest-grossing film, beating out its other high earners such as “Lady Bird” and “Hereditary.”“Godzilla x Kong: The New Empire,” which was released on March 29, was in fourth place, with sales of $1.76 million.The horror film “Abigail” took fifth, with $1.49 million in earnings.

remained the top film in theaters in its second week of release, according to studio estimates Sunday.The A24 election-year gamble, the indie studio’s biggest budgeted film yet, took in $11.1 million in ticket sales at 3,929 theaters over the weekend.The $50 million film, set in a near-future US in which Texas and California have joined in rebellion against a fascist president, has grossed $44.9 million in two weeks.Its provocative premise – and A24’s marketing, which included images of US cities ravaged by war – helped keep “Civil War” top of mind for moviegoers.But it was a painfully slow weekend in theaters – the kind sure to add to concern over what’s thus far been a down year for Hollywood at the box office.Year-to-date ticket sales are down almost 20% compared to last year, according to Comscore.Going into the weekend, Universal Pictures’ “Abigail,” a critically acclaimed R-rated horror film about the daughter of Dracula, had been expected to lead ticket sales.It came in second with $10.2 million in 3,384 theaters.That was still a fair result for a film that cost a modest $28 million to make.

Variety reported.In second place was Guy Ritchie’s “The Ministry of Ungentlemanly Warfare,” which saw $3.7 million in sales in its debut. The Post said the director “chooses fun over facts” in the fictionalized World War II story.

Alex Garland’s provocative “Civil War” didn’t only ignite the discourse.The film also inspired audiences to go to the cinemas this weekend where it surpassed expectations and earned $25.7 million in ticket sales in North America, according to studio estimates Sunday.It’s the biggest R-rated opening of the year to date and a record for A24, the studio behind films like “Everything Everywhere All At Once” and “The Iron Claw.”“Civil War” also unseated “Godzilla x Kong” from its perch atop the box office. The titan movie from Warner Bros.

according to Box Office Mojo.The impressive premiere puts it on track for a debut of around $26 million, Variety reported.The $50 million film, from director Alex Garland, follows a team of military-embedded journalists racing against time to reach Washington, D.C. before rebel factions descend upon the White House.Starring Kirsten Dunst, Cailee Spaeny, Nick Offerman and Jesse Plemons, the thriller has been dubbed a “a terrifying premonition of American collapse,” though critics say its political message was “muddled.”The Post’s Johnny Oleksinski went as far as to call it “a torturous, overrated movie without a point,” bashing its script as lousy and the acting as monotonous.Behind “Civil War” was “Godzilla x Kong: The New Empire,” which topped the charts when it premiered two weeks ago.

“Godzilla x Kong: The New Empire” easily swatted away a pair of challengers to hold on to the top spot at the box office for the second week in a row, according to studio estimates Sunday.After its above-expectations $80 million launch last weekend, the MonsterVerse mashup brought in $31.7 million over its second weekend, a 60% drop from its debut.The Warner Bros. and Legendary Pictures release, directed by Adam Wingard, has thus far outperformed any of the studio’s recent monster films except for 2014’s “Godzilla.”But with $361.1 million worldwide in two weeks, “Godzilla x Kong” could ultimately leapfrog the $529 million global haul of 2014’s “Godzilla.”The latest installment, in which Godzilla and Kong team up, cost about $135 million to produce.“Godzilla x Kong” extended its box-office reign as another primate-themed movie arrived in theaters.

according to IMDB’s Box Office Mojo.The flick, a sequel to 2021’s “Godzilla vs. Kong,” is expected to take in $30 million this weekend, Deadline reported.In second place was the action thriller “Money Man,” with a $4.25 million-dollar take.The film, which is the directorial debut of actor Dev Patel, was released on Friday, and is expected to earn $10.5 million this weekend, according to the Hollywood Reporter.Vulture called the flick, where Patel also plays the leading role, “a solid action thriller.”“The First Omen” which debuted on April 5, landed in third, with $3.24 million in sales.The prequel to 1976’s “The Omen” and the sixth film in The Omen franchise “has flair but struggles with the weight and familiarity of what came before,” said The Guardian.In fourth place was “Ghostbusters: Frozen Empire,” which made $2.43 million.

Godzilla-King Kong combo stomped on expectations as “Godzilla x Kong: The New Empire” roared to an $80 million opening on 3,861 North American screens, according to Sunday studio estimates.The monster mash-up from Warner Bros. and Legendary Pictures starring Rebecca Hall and Brian Tyree Henry brought the second-highest opening in what has been a robust year, falling just short of the the $81.5 million debut of “Dune: Part 2.”Projections had put the the opening weekend of “Godzilla x Kong: Frozen Empire” at closer to $50 million.Last week’s No.

“Ghostbusters: Frozen Empire” collected $45.2 million in ticket sales over the weekend, according to studio estimates Sunday, handing Sony Pictures the studio’s first No. 1 film since last summer.The opening weekend for “Frozen Empire,” in 4,345 theaters, was nearly exactly the same as the $44 million launch for “Ghostbusters: Afterlife” in 2021.“Afterlife” rebooted the franchise with a sequel built around the descendants (Carrie Coon, Finn Wolfhard, Mckenna Grace) of Harold Ramis’ Egon Spengler, along with Paul Rudd’s seismologist Gary Grooberson.Neither film has been a hit with critics, but audiences have been more receptive.

“Kung Fu Panda 4 ” stayed at the top of the North American box office in its second weekend in theaters. The Universal and DreamWorks Animation movie earned $30 million in ticket sales, according to studio estimates Sunday.The franchise featuring the voice of Jack Black is responsible for over $1.9 billion at the box office since it launched in 2008 and spawned several animated series, shorts, video games and a holiday special.

according to IMDB’s Box Office Mojo.. Domestically, the film’s made more than $86.5 million in its first two weeks in theaters.The Post said that Jack Black-helmed feature, “while nice enough, suggests that the smartest move would be to let the fuzzy guy retire to a calming bamboo forest rather than embark on yet another predictable adventure.”“Dune: Part Two” — director Denis Villeneuve’s epic sci-fi desert flick — managed to hold onto the #2 spot during its third week of release, taking in $8.15 million.“Arthur the King” on Friday sold more than $3 million in tickets, nabbing the No.

LOS ANGELES — As Universal Pictures prepared for a big night at the Academy Awards with “Oppenheimer,” the studio also celebrated the No. 1 debut of “Kung Fu Panda 4,” which collected $58.3 million in domestic theaters over the weekend, according to estimates Sunday.“Kung Fu Panda 4,” the first film in the DreamWorks Animation franchise since the third installment in 2016, got off to a better start than all but the 2008 original.

according to IMBD’s Box Office Mojo.The latest Jack Black-led installment of the franchise pushed another sequel, “Dune 2,” down to second place, though it still took in $12.3 million.Kung Fu fell short of hitting Dune’s opening day slot as the Timothée Chalamet-led film raked in $32 million last Friday — a movie The Post called a “sci-fi triumph that’s better than the first.” Coming in third was “Cabrini,” which follows an Italian immigrant in New York embarking on a journey to persuade the mayor to provide housing and healthcare to orphaned children. It brought in $3 million Friday, its opening day.

Last week saw the global launch of Denis Villeneuve’s second “Dune” film, wrapping up the conclusion of the first novel adaptation while also leaving everything on a cliffhanger for a third movie that the filmmaker is co-writing with franchise screenwriter Jon Spaihts. Strong critical responses and audience word of mouth have paid off big time for the film as it has made some history over the weekend, becoming the biggest opening for the director and overperforming compared to the first part that was released back in September 2021.

Dune: Part Two ” is delivering on the promise. Armed with sandworms, big screen spectacle and the star power of Timothée Chalamet, Denis Villeneuve ’s science fiction epic stormed the North American box office this weekend earning $81.5 million in ticket sales, according to studio estimates Sunday.Internationally, it earned $97 million, bringing its global debut to $178.5 million.“Denis made a really extraordinary and special film and its been really exciting to see people respond,” said Mary Parent, a producer on both “Dune” films and chairman of worldwide production at Legendary. “It was made for the big screen and it feels like it’s being received as a cinematic event.”It’s the first major hit of 2024, and one that was sorely needed by exhibitors.