Sundance Review: Daina Reid’s ‘Run Rabbit Run’
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deadline.com“Can people come back?” asks Mia, the cute little girl whose increasingly hair-raising antics are the crux of this atmospheric Midnight premiere from Australia.
From the dead, she means, and it’s a macabre thought that Daina Reid’s effective but perhaps overlong debut feature film plays with quite tantalizingly, right until the end.
Although the tease may wear down commercial audiences expecting to find out one way or the other, Run Rabbit Run will find favor on the arthouse and especially the festival circuit.
Like a lot of recent genre films with female leads — eg Ari Aster’s Hereditary or Jennifer Kent’s The Babadook — Reid’s film takes place in a time of fresh bereavement or recent marriage trauma.
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