Addie Morfoot Contributor Given the current dismal political and cultural climate as well as streaming services’ massive appetite for celebrity driven content, it comes as no surprise that the 40th edition of the Sundance Film Festival is chock full of portrait documentaries.
Frida Kahlo, Christopher Reeve, Luther Vandross and Tammy Faye are just a few of the boldface names that are being examined in various docus featured in the Sundance nonfiction lineup.
The festival is no stranger to star-driven docus. In recent years, films about Ruth Bader Ginsburg (“RBG”), Fred Rogers (“Won’t You Be My Neighbor?”), Harvey Weinstein (“Untouchable”), Michael Jackson (“Leaving Neverland”), Kanye West (“jeen-yuhs: A Kanye Trilogy”), Bill Cosby (“We Need to Talk About Cosby”) and most recently Judy Blume (“Judy Blume Forever”) and Michael J.
Fox (“Still: A Michael J. Fox Movie”) had world premieres in Park City. But unlike films self-produced by their star subjects, the profile docus selected for this year’s Sundance are not targeted marketing devices.
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