Patrick Frater Asia Bureau Chief The intersection between Black Lives Matter and a COVID-like pandemic plus a standout performance from non-professional actor Mwajemi Hussein is sure to make “The Survival of Kindness” one of Berlin’s most talked-about films.
The film is deliberately obscure – the little dialog that is heard involves each performer speaking in a language of their own invention with the meaning known only to that actor and the film’s director, Australia’s Rolf de Heer.
And it is minimalist. Character names are purely functional. Location filming was done with a crew of just nine people who walked extensively across Tasmania and the deserts of South Australia and cooked for each other between set-ups.
Yet “Kindness” packs in a lot. It opens jarringly with a gas-mask-wearing tea party before cutting to a black woman abandoned in a metal cage in the middle of a sandy desert.
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