David Benedict Hayao Miyazaki’s 2001 animated film “Spirited Away” won everything from the Oscar for Best Animated Feature to Berlin’s Golden Bear.
That there’s an audience for a stage version was evidenced by its 2022 Tokyo run selling out in four minutes. Now in London and performed in Japanese with English surtitles, sales are brisk in the 2,263-seat London Coliseum with the limited run now extended by five weeks.
But what this giant, three-hour spectacle proves above all is that while being faithful is wholly admirable in a relationship, it’s not the most theatrical answer to the question of how to adapt a masterpiece.
It was Disney who cornered the market in staging animated classics, initially with “Beauty and the Beast” but then, in a shrewd move, with the considerably more uniquely theatrical “The Lion King” which is far more than simply a copy.
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