Tatiana Siegel Despite its status as the highest-grossing indie film since 2019’s “Parasite,” “Sound of Freedom” has been dismissed as a QAnon fever dream by large swaths of the mainstream media.
But that derisive label is “so ridiculous” to the film’s writer-director Alejandro Monteverde, who began working on the project in 2015, two years before QAnon emerged. “The origin [of the film] has been avoided, purposely or accidentally, in the media,” Monteverde said. “The origin will answer a lot of these misconceptions on the film.” Back in 2015, the Mexico-born, L.A.-based Monteverde says he was unaware of the scourge of child sex trafficking until he watched a network news segment on the subject.
What he learned “shook my soul because I didn’t really believe it [existed],” he says. “I just, in my head, could not put those two pieces together — an adult and a child.” That night, he couldn’t sleep.
So, the next morning, he discussed the impact of the news segment with his wife and mother of their three children, actress Ali Landry.
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