‘Sick of Myself’ Review: A Disturbing Satirical Body Horror Film About Just How Far Someone Will Go for Attention
variety.comOwen Gleiberman Chief Film Critic If Lars von Trier hadn’t grown top-heavy with the mythology of his self-importance (I’d say that happened around the time of “Antichrist,” in 2009), he might have tossed off a movie like “Sick of Myself” — a social satire in the form of a queasy drama of body horror, and a movie whose disturbing bad-boy tastelessness recalls Von Trier’s “The Idiots,” with a touch of David Cronenberg.
This is the second feature by Kristoffer Borgli, the Norwegian writer-director whose first film, “Drib” (2017), was a send-up of the marketing industry, and in a way the new movie is about marketing too.
This one, though, takes a viscerally upsetting look at just how far an individual will go to gain attention in the new era of social-media addiction.
The movie, which premiered at Cannes last year, arrives from the same production team that backed “The Worst Person in the World,” and part of the offbeat way the film gets its hooks in you is to exude a very similar sort of neutrally observed Scandinavian bourgeois vibe.
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