Brent Lang Executive Editor Mavis Beacon taught the world to type. Starting in the late 1980s, a software program featuring the eponymous instructor drilled computer users on their keyboard skills, selling more than 10 million copies worldwide.
But it often comes as a shock to find out that Beacon never really existed. A triumph of the advertisers’ art, the typing teacher was an entirely fictional creation.
And the image of Beacon that resonates most deeply, the photo of a Black woman in business attire that appears on the packaging, actually belongs to Renee L’Esperance, a Haitian model who was paid a measly $500 for her work and didn’t get to share in any royalties from the game’s success (she’d later sue when her image was altered on subsequent editions).
Decades after the program debuted, Beacon’s outsized influence is being reexamined in “Seeking Mavis Beacon,” a documentary that premiered last weekend at the Sundance Film Festival.
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