Todd Gilchrist editor Directed by Neo Sora, “Ryuichi Sakamoto: Opus” records the final performance of its namesake composer and musician prior to his death from cancer in March 2023.
Per Sora, Sakamoto’s son, “Opus” is less a documentary than a concert film, capturing 20 tracks — electronic, orchestral, and everything in between — from his multifaceted career as they’re played on the piano in crisp black and white, in lighting that transitions from night to day and back to night.
As he explains, it was no small task to chronicle what he knew could be his father’s last artistic gift to the world. But when speaking about the film, Sora maintains a studied objectivity that focuses more on the process of making it than the feelings behind it — much less about his father in general.
Even as a fan of Sakamoto’s since the days of Bernardo Bertolucci’s “The Last Emperor,” it’s unexpected to feel as a journalist like you’re more passionate about a filmmaker’s subject than he is.
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