You would have a hard time defending the limp plotting, the bland action-adventure set pieces or the Agatha Christie-light whodunit twists of the first “Murder Mystery.” And, yet, it was kind of good. “Murder Mystery,” one of Netflix’s most-streamed films, was chock full of exotic settings and mysterious murders.
But the only thing that mattered, really, was the banter between Jennifer Aniston and Adam Sandler. Though “Murder Mystery” could be said to epitomize that very modern kind of passive and painless viewing experience on streaming platforms, their married couple was a throwback to a long-ago movie era.
Audrey and Nick Spitz, a pair of working-class New Yorkers turned semi-amateur detectives, might as well be Nick and Nora Charles, the 1930s cocktail-swilling crime solvers. “Murder Mystery” and its new sequel don’t have anywhere near the sparkle of the “The Thin Man” movies, with William Powell, Myrna Loy and their wire fox terrier Asta.
But like those films, everything in “Murder Mystery” and “Murder Mystery 2” is secondary, and distantly so, to the comic and sweet rapport between the Spitzes, a bickering but lovingly connected married couple.
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