Owen Gleiberman Chief Film Critic Zack Snyder is a pop-fantasy filmmaker who now has a fanboy cult around him. In the two decades since he made his feature directorial debut with the grainy unsettling 2004 reboot of “Dawn of the Dead,” Snyder’s flamboyant fusion of visual wizardry, technological fixation, and kick-ass spirit has made him, at least in some quarters (read: the Comic-Con and video-game demo), a creative hero for the Age of Escapism.
Fans who grew up feasting on such Snyder extravaganzas as “300,” “Watchmen,” and “Sucker Punch” then saw his much-ballyhooed entrée into the DC comic-book sphere marked by ambitious but maligned misfires.
Yet in 2021, the release of “Zack Snyder’s Justice League” — his uncut and quite extraordinary version of the movie that Warner Bros.
had tapped Joss Whedon to mangle into an “audience-friendly” product — was a vindication that also marked a new peak of reverence for the Snyder cult.
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