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Quentin Tarantino

Quentin Jerome Tarantino (born March 27, 1963) is an American filmmaker, actor, film programmer, and cinema owner.

His films are characterized by nonlinear storylines, satirical subject matter, aestheticization of violence, extended scenes of dialogue, ensemble casts, references to popular culture and a wide variety of other films, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, alternate history, and features of neo-noir film.

Martin Scorsese
Martin Charles Scorsese Italian (born November 17, 1942) is an American filmmaker and actor, whose career spans more than 50 years. Part of the New Hollywood wave of filmmaking, he is widely regarded as one of the most significant and influential filmmakers in cinematic history. Scorsese's body of work explores such themes as Italian-American identity, Catholic concepts of guilt and redemption? faith, machismo, modern crime, and gang conflict. Many of his films are also known for their depiction of violence and liberal use of profanity. In 1990, he founded The Film Foundation, a nonprofit organization dedicated to film preservation, and in 2007 he founded the World Cinema Foundation. He is a recipient of the AFI Life Achievement Award for his contributions to the cinema, and has won an Academy Award, a Palme d'Or, Cannes Film Festival Best Director Award, Silver Lion, Grammy Award, Emmys, Golden Globes, BAFTAs, and Directors Guild of America Awards.
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Quentin Tarantino Talks His Final Movie and Love for Violent Films at Cannes Masterclass

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variety.com

Sophia Scorziello editor The man who directed a scene so bloody it was filmed in black and white to avoid an NC-17 rating has some qualms with violence in film.

In an hourlong conversation at the Cannes Film Festival, Quentin Tarantino addressed some parts of his book “Cinema Speculation” and he teased his 10th and final film, “The Movie Critic.” As a serious grind-house fanatic, Tarantino discussed the place of violence in his own films and in classics like John Flynn’s “Rolling Thunder” and Martin Scorsese’s “Taxi Driver.” On John Flynn’s “Rolling Thunder” “It was the movie that made me start taking myself seriously as a film critic,” Tarantino said of “Rolling Thunder.” Not that he was writing and publishing reviews on movies, but as he watched the film, he was able to note its nuances and form opinions on them.

The moderators asked Tarantino about why he believed “Rolling Thunder” should have ended with more violence than what was written in Paul Schrader’s screenplay. “Well, I like violent movies,” he said.

But he didn’t just want violence for violence’s sake. “Paul Schrader doesn’t recognize this movie any more than I recognize Oliver Stone’s version of ’Natural Born Killers,'” he said, explaining the pitfalls of Flynn’s direction.

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