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Stacey Solomon

Stacey Chanelle Claire Solomon (born 4 October 1989) is an English singer and media personality. In 2009, she finished in third place on the sixth series of The X Factor, and gained a number one single on the UK Singles Chart when her fellow The X Factor finalists released a cover of "You Are Not Alone". Solomon won the tenth series of I'm a Celebrity...

Get Me Out of Here!. Her debut single, a cover of "Driving Home for Christmas", was released on 19 December 2011. Solomon then released her debut album Shy on 18 April 2015. In September 2016, she began appearing as a panellist on Loose Women and in November of the same year she presented the I'm a Celebrity spin-off series I'm a Celebrity: Extra Camp.

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Political parties urged to “seize the moment” as Music Venue Trust share manifesto for the grassroots ahead of election

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UK General Election on July 4.The push arrives following the MVT delivering their full report into the state of the sector for 2023, showing the “disaster” facing live music with venues closing at a rate of around two per week.Presented at Westminster, the MVT echoed their calls for a levy on tickets on gigs at arena size and above and for major labels and such to pay back into the grassroots scene, arguing that “the big companies are now going to have to answer for this”.Now, a new report has been published, ‘A Manifesto for Grassroots Music’, which aims to get politicians working to help save the sector from the deepening crisis it finds itself in.In the report, MVT set out the steps that need to be taken to slow down the closures of grassroots music spaces across the UK, and highlights the importance of these venues for both music lovers and for emerging talent.

These include the push for a £1 grassroots investment contribution from every arena and stadium ticket sold, which would be used to support grassroots music venues, artists and promoters.An abolition of VAT on tickets for grassroots music venues is also listed, as well as a reduction of VAT on cultural ticketing in the live music industry to the European average (between five and seven per cent).

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