Chris Willman Senior Music Writer and Chief Music Critic “Peter Pan Goes Wrong,” now playing at L.A.’s Ahmanson Theatre, has its roots partly in silent-film slapstick, partly in British pantomime and partly in Python.
But maybe the best shorthand way to describe it would be as a recapitulation of “Noises Off” by way of “This Is Spinal Tap.” It’s the comedy of incompetence in its most frantic state, taking any sense of slow-burn ineptitude and turning it up to a full, hyper-farcical 11.
As with its highly popular parent production, “The Play That Goes Wrong,” the idea here is to present a show-within-a-show-within-a-show in which everything that could go haywire will.
Fresh gaffes and mishaps arrive every 20 seconds or so, as if Murphy’s Law had been brought to life and tied to a metronome for two hours.
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