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03.09.2021 / 00:29

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‘The Many Saints of Newark’ to Premiere at Inaugural Tribeca Fall Preview

Rebecca Rubin Film and Media ReporterTribeca Enterprises, the organization behind the annual Tribeca Film Festival, is expanding its programming with its newly launched Fall Preview, a season-long festival featuring movie premieres and musical performances.The inaugural event will kick off on Sept. 22 at the Beacon Theater with the premiere of “The Many Saints of Newark,” a Warner Bros.

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‘The Many Saints Of Newark’ World Premiere To Kick Off The Inaugural Tribeca Fall Preview Event

Silly film fan, you didn’t think Tribeca was going to sit back and let Venice, TIFF, Telluride, and NYFF have all the fall festival fun, did you? Sure, the annual Tribeca Film Festival is typically in the late spring, but starting this year, the event is ready to branch out into the fall, as well, with the announcement of the Tribeca Fall Preview.

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‘The First Step’: A Challenging Look At Van Jones And Nature Of Bipartisanship [Tribeca Review]

The challenges of bipartisanship are easy to spot. It’s casting a die for cooperation, a hope that with your differing neighbor you can find not just common cause but common decency.

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‘The Neutral Ground’ Provides A Powerful Dissection Of The Lost Cause Myth [Tribeca Review]

When you’re driving down one of Alabama’s main interstates, it’s not hard to see gaudy Confederate flags flying atop a hill, a memorial site, gravesites, or basically, anywhere else. Growing up in the South brings gradual understanding to just how deep the permeation of Dixie is in the culture — “The Dukes of Hazard“ proudly had the flag on the hood of the General Lee car, a symbol for ’70s Southern pride.

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‘Creation Stories’ Offers A Stylish Take On The Familiar Rock Biopic Formula [Tribeca Review]

When attempting a biopic about a rock ‘n roll icon, there’s an inherent conflict of style and substance. Biopics are traditionally dramatic, yet glossy affairs that bring an air of prestige to every story, whether it’s the tale of a stuttering king, a cagey criminal, or the man who made McDonald’s an international chain.

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'Queen of Glory' Centers One Woman's Journey Of Loss & Self-Reflection

Queen of Glory, writer, director, and star Nana Mensah eloquently captures what happens when you are forced to face the place you left behind in order to figure out who you truly are.

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‘Simple As Water’: The Strength Of Family Endures In The Aftermath Of War [Tribeca Review]

Much can be said about Megan Mylan’s latest documentary “Simple As Water.” Yet, as its title insinuates, the film succeeds in its calculated minimalism. Cataloging the plight of four Syrian families in the aftermath of war, Mylan’s heartfelt exploration of human strife infuses informative insight with harrowing revelations.

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‘A Choice Of Weapons: Inspired By Gordon Parks’: Is Slightly Out Of Focus [Tribeca Review]

Acclaimed photojournalist Gordon Parks was something of a renaissance man. A photographer, writer, composer, film director, and activist—he imbued the American Black experience with a sense of gravitas, esteem, and pathos through his Black gaze.

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‘Love Spreads’: Eiza González & Alia Shawkat Consider What’s Worth Sacrificing To Make A Great Album [Tribeca Review]

It is tempting and totally incorrect to put Jamie Adams’ “Love Spreads” on a shelf next to Alex Ross Perry’s “Her Smell”: Both films center on petty, personal rifts expanding between members of all-women rock bands, and the former at first appears, like the latter, concerned with toxic lead singers cursed with too much ego after tasting success. But “Love Spreads” is about early success, the success that sets a band up for album number two, and all the pressure that comes from outputting a hit record and being expected to make another; characters act monstrously toward one another, yes, but the film is not a character study.

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Tribeca Film Festival 2021 was the weirdest movie fest ever

Bitchin’: The Sound and Fury of Rick James,” part of the Tribeca Film Festival, when the movie stopped with 40 minutes still to go.“We will now pause for 15 minutes to watch the fireworks,” an announcer said. Huh? Cannes has never shot off pyrotechnics during a Lars von Trier debut. (Perhaps they should.)The surprise display was Gov.

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‘No Sudden Move’: A Thrilling Yet Thoughtful Throwback From Steven Soderbergh [Tribeca Review]

Easing back into moviemaking after the months-long covid shutdown seems like a mighty stressful proposition, and from the looks of the cast and crew credits for “No Sudden Move,” Steven Soderbergh decided to alleviate that stress by surrounding himself with people he knew.

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‘The Kids’ Aims To Rewrite The Tragic Narrative Of The Skate Teens In Larry Clark’s Notorious Film [Tribeca Review]

What would it be like to see your childhood friends rise to fame, scratch at fortune, then die tragically young, only to become googled curiosities and cautionary tales? This was the journey of Hamilton Chango Harris, who appeared alongside his real-life skater pals in Larry Clark’s 1995 hit, “Kids.” Now, Harris aims to rewrite the narrative of the late Justin Pierce and Harold Hunter with “The Kids,” a documentary that reveals disturbing behind-the-scenes secrets and their aftermath.