Tomris Laffly It’s unlikely that anyone was holding their breath for an English-language reimagining of Francis Veber’s 2006 French hit “La Doublure,” a lovable if trite farce in which a porter and a supermodel fake a romantic relationship in order to prevent a PR disaster. But with the help of some doting cultural specificity, a charming cast and sunshiny Los Angeles skies, “Come As You Are” director Richard Wong’s “The Valet” proves that a remake can still be a welcome thing these days, even in a world oversaturated with them.Written by Bob Fisher and Rob Greenberg (the duo behind the “Overboard” remake), this sweet-natured and good-humored rom-com-with-a-twist should easily find reasonable streaming success upon its May 20 launch on Hulu.
