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While much of the global entertainment industry is witnessing a full-throttled return to in-person events, India’s festival circuit is experiencing a chequered re-emergence from Covid, in part due to political and funding challenges.

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Cannes Investors Circle Reveals Lineup, Including New Ruben Östlund and Lorcan Finnegan Films

Ellise Shafer The second annual Cannes Investors Circle has revealed its lineup, including films from Ruben Östlund and Lorcan Finnegan. Taking place at the Marché du Film during the Cannes Film Festival, the Investors Circle showcases 10 never-before-seen films in various stages of development to an exclusive group of film financing experts and investors.

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International Film Festival Of India Jury President Nadav Lapid Slams Fest For Inclusion Of “Propaganda Movie” ‘The Kashmir Files’ In Competition

Israeli director Nadav Lapid surprised audiences during his speech at the closing ceremony of the International Film Festival of India (IFFI) in Goa by criticizing the festival for including controversial Hindi-language movie The Kashmir Files in competition.

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Israel’s Sam Spiegel Film School Launches Series Lab With Netflix, ViacomCBS’ VIS Social Impact (EXCLUSIVE)

Elsa Keslassy International CorrespondentThe Jerusalem Sam Spiegel Film School is set to launch a Series Lab with the support of Netflix and VIS Social Impact, ViacomCBS International Studios’ new cause-driven production division. Hagai Levi, the creator of “In Treatment” and “The Affair,” has joined the new program as artistic advisor. For the last decade, the film school has been hosting a popular film lab which was founded by Renen Schorr and has become a major curator of world cinema gems.

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‘Ahed’s Knee’ Trailer: Nadav Lapid Returns With A Blistering Tale Of Grief & Filmmaking

While Israeli filmmaker Nadav Lapid been working for years with lots of acclaim (2011’s “Policeman” was very well-regarded and 2014’s “The Kindergarten Teacher” was so good, Maggie Gyllenhaal decided to produce and star in a 2018 remake), the filmmaker seemed to make an even bigger splash on the international scene with “Synonyms” which won the Golden Bear, and the FIPRESCI Award at the 2019 Berlin Film Festival and introduced more audiences to wiry star Tom Mercier.

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‘Madeleine Collins’ is a Knotty Exploration of A Dual Life [Venice Review]

Beginning with a dizzying one-shot that follows Judith – or is it Margot? – around a high-end clothing store before a fainting spell upends her shopping trip, Antoine Barraud’s “Madeleine Collins” is a laser-focused character study that literalizes a double-life, following Judith (a calculated Virginie Efira) as she attempts to balance seemingly having two husbands, two sets of children, two complete lives. Wisely withholding key information about how Judith came into this situation until the very end, Barraud’s film effectively grafts the tropes of Hitchcockian thriller onto a domestic portrait of a woman’s life spiraling out of control.

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‘Ahed’s Knee’: Kino Lorber Takes North American Rights To Cannes Jury Prize Winner

Kino Lorber has acquired North American rights to Ahed’s Knee, with plans to release the Cannes Jury Prize winner in theaters early next year.

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Venice Days Unveils Lineup Includes ‘Madeleine Collins’ With ‘Benedetta’ Star Virginie Efira And Many Debuts

Nick Vivarelli International Correspondent“Madeleine Collins,” the buzzy psychological drama directed by France’s Antoine Barraud (“Portrait of the Artist”) and toplined by popular Belgian actress Virginie Efira who plays the lesbian nun in Paul Verhoeven’s “Benedetta,” is among ten competition titles set to launch from the Venice Film Festival’s independently run Venice Days section.The Venice section modeled around the Cannes Directors’ Fortnight is largely made up of international first works this year. All entries are world premieres.Besides “Madeleine” in which Efira (pictured) plays a woman who leads a double life –– and which also features Nadav Lapid, who is also the Israeli director of “Synonyms” and also Jacqueline Bisset –– the

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‘Ahed’s Knee’: A Searing Autobiographical Takedown Of Corrupt Government [Cannes Review]

There is so much noise in Nadav Lapid’s “Ahed’s Knee” (“Ha’berech”): from the whitewash of the opening frames, which roar into a revving motorcycle engine, to an unexpected Vanessa Paradis needle drop, to the strange host of anatomical noises as Y (the choreographer Avshalom Pollack, very much in control of his physicality) breathes heavily and pads across the floors of his rented apartment in Arava, the desert where he’s screening his new film.

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Cannes Review: Nadav Lapid’s ‘Ahed’s Knee’

After serving up three very potent films over the past decade, Israeli director Nadav Lapid issues forth a shrill and strident screed in his fourth feature, Ahed’s Knee (Ha’Berech). Undeservedly included in the Cannes competition, this rough and hasty-looking outing is nothing short of a bilious broadside of anger at and resentment toward anything to do with the Israeli government. Its utter lack of shrewd argument or intelligent insight makes the result simply seem like the upchuck of a bitter, extremist mindset.

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‘Ahed’s Knee’ Teaser Trailer: ‘Synonymns’ Director Nadav Lapid Returns With First Cannes Competition Title

Israeli writer/director Nadav Lapid has been on the international radar for quite some time, 2011’s “Policeman” made international waves, and 2014’s ‘The Kindergarten Teacher” was so well regarded, Hollywood, Netflix, and Maggie Gyllenhaal made a remake in 2018. But things started to really take off for Lapid after “Synonyms” won the Golden Bear award at the 69th Berlin International Film Festival in February 2019 and introduced most of the world to breakout star Tom Mercier.

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Berlin Festival Winners to Be Decided by Socially Distanced, Mainly In-Person Jury

Berlin this year, at least the first leg of the film festival in March, will be online only, with everyone — critics, reporters and the international film industry — watching the lineup of the 2021 Berlinale from home on their laptops. Everyone, that is, except for this year's competition jury.

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Berlin Film Festival Unveils International Jury for 71st Edition

Leo Barraclough Senior International CorrespondentThe Berlin Film Festival has unveiled the International Jury for its 71st edition.The jury will comprise Iranian director Mohammad Rasoulof, Israeli director Nadav Lapid, Romania director Adina Pintilie, Hungary director Ildikó Enyedi, Italian director Gianfranco Rosi and Bosnian director Jasmila Žbanić.As previously announced, the festival will take place in two stages this year, due to the pandemic. Its industry events – under the European Film Market banner – will run in a virtual format from March 1-5.

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Nadav Lapid: Last News

Cannes Investors Circle Reveals Lineup, Including New Ruben Östlund and Lorcan Finnegan Films

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